Pedals that stack with the Maestro PS-1A Phase Shifter

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Donner Tape Stereo Delay in the signal chain — it's not there to compete with Donner Tape Stereo Delay's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Matthews Effects The Surgeon in the signal chain, where it won't crowd Matthews Effects The Surgeon — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Keeley Caverns V2 in the signal chain, where it won't crowd Keeley Caverns V2 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Acoustic Strymon DIG V2 Dual Digital Delay in the signal chain, where it won't crowd Acoustic Strymon DIG V2 Dual Digital Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Keeley Eccos Neo-Vintage Tape Delay in the signal chain, where it won't crowd Keeley Eccos Neo-Vintage Tape Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Gauss Tape Echo's analog warmth voice out front: Maestro PS-1A Phase Shifter goes after TC Electronic Gauss Tape Echo in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after JHS Lucky Cat Delay limited edition in the signal chain, where it won't crowd JHS Lucky Cat Delay limited edition — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Strymon Volante in the signal chain — it's not there to compete with Strymon Volante's own spring character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Universal Audio Golden Reverberator in the signal chain, where it won't crowd Universal Audio Golden Reverberator — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Hungry Robot The Aether Modulating Delay in the signal chain, where it won't crowd Hungry Robot The Aether Modulating Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after DSM Silver Linings Drive Preamp Engine in the signal chain, clear of DSM Silver Linings Drive Preamp Engine's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Crazy Tube Circuits Orama's warm voice out front: Maestro PS-1A Phase Shifter goes after Crazy Tube Circuits Orama in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after T-Rex Reptile Delay in the signal chain, where it won't crowd T-Rex Reptile Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after One Control Hooker's Green Bass Machine in the signal chain, clear of One Control Hooker's Green Bass Machine's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Nocturne's dark voice out front: Maestro PS-1A Phase Shifter goes after Keeley Nocturne in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep K Pedals Vintage Preamp's warm voice out front: Maestro PS-1A Phase Shifter goes after K Pedals Vintage Preamp in the signal chain so its lush voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Mesmer's modulated voice out front: Maestro PS-1A Phase Shifter goes after Keeley Mesmer in the signal chain so its lush voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after One Control Strawberry Red Overdrive in the signal chain, clear of One Control Strawberry Red Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after NuX Tape Echo Delay SOS in the signal chain, where it won't crowd NuX Tape Echo Delay SOS — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Revv G2 Overdrive's dynamic voice out front: Maestro PS-1A Phase Shifter goes after Revv G2 Overdrive in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Ibanez AD9 Analog Delay Reissue in the signal chain — it's not there to compete with Ibanez AD9 Analog Delay Reissue's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Mooer MOD2 Rumble Drive in the signal chain, clear of Mooer MOD2 Rumble Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Ross "Distorsion" in the signal chain — it's not there to compete with Ross "Distorsion"'s own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep NuX NRO-6 Diamond 63 Overdrive Effektpedal's saturated voice out front: Maestro PS-1A Phase Shifter goes after NuX NRO-6 Diamond 63 Overdrive Effektpedal in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain