Pedals that stack with the Maestro PS-1A Phase Shifter

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after One Control Golden Acorn Overdrive Special in the signal chain — it's not there to compete with One Control Golden Acorn Overdrive Special's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Spaceman Sputnik 1 in the signal chain, clear of Spaceman Sputnik 1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Shin's Music Dumble ODS in the signal chain, clear of Shin's Music Dumble ODS's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Providence SOV-2 Stampede OverDrive in the signal chain, clear of Providence SOV-2 Stampede OverDrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after ThorpyFX The J Tweed-Style Overdrive was in the signal chain — it's not there to compete with ThorpyFX The J Tweed-Style Overdrive was's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after J. Rockett Mark Sampson Max in the signal chain, clear of J. Rockett Mark Sampson Max's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Fender Mirror Image Delay in the signal chain — it's not there to compete with Fender Mirror Image Delay's own pristine character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Boss SDE-3000D in the signal chain, where it won't crowd Boss SDE-3000D — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Hudson Electronics Broadcast AP in the signal chain — it's not there to compete with Hudson Electronics Broadcast AP's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Tone City King of Blues in the signal chain, clear of Tone City King of Blues's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Vemuram Budi-G in the signal chain, clear of Vemuram Budi-G's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep One Control Super Apricot OD's warm voice out front: Maestro PS-1A Phase Shifter goes after One Control Super Apricot OD in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after Providence RED Rock OD ROD-1 in the signal chain, clear of Providence RED Rock OD ROD-1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Electro-Harmonix Nano Deluxe MM in the signal chain, where it won't crowd Electro-Harmonix Nano Deluxe MM — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Maestro PS-1A Phase Shifter after J. Rockett GuthrieTrapp in the signal chain, clear of J. Rockett GuthrieTrapp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Pigtronix gamma drive in the signal chain — it's not there to compete with Pigtronix gamma drive's own harmonically rich character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after J. Rockett XPO in the signal chain — it's not there to compete with J. Rockett XPO's own dynamic character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after One Control Purple Humper Overdrive in the signal chain, clear of One Control Purple Humper Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Menatone The Red Snapper mini in the signal chain, clear of Menatone The Red Snapper mini's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Maestro PS-1A Phase Shifter's lush voice goes after Boss RE-2 Space Echo in the signal chain — it's not there to compete with Boss RE-2 Space Echo's own slapback character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Eventide Riptide Drive E Vibe's saturated voice out front: Maestro PS-1A Phase Shifter goes after Eventide Riptide Drive E Vibe in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Free The Tone FM-1V Fire Mist Overdrive's harmonically rich voice out front: Maestro PS-1A Phase Shifter goes after Free The Tone FM-1V Fire Mist Overdrive in the signal chain so its lush voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter after Lovepedal Believe in the signal chain, clear of Lovepedal Believe's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Maestro PS-1A Phase Shifter after Old Blood Noise Endeavors Fault Overdrive Distortion in the signal chain, clear of Old Blood Noise Endeavors Fault Overdrive Distortion's own gain stage

Comes earlier in the signal chain