Pedals that stack with the JHS 3 Series Oil Can Delay

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep DSM Humboldt Electronics Silver Linings's harmonically rich voice out front: JHS 3 Series Oil Can Delay goes after DSM Humboldt Electronics Silver Linings in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Death By Audio Moonbeam Stereo Multi-Stage Phaser in the signal chain, where it won't crowd Death By Audio Moonbeam Stereo Multi-Stage Phaser

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Red Witch Seven Sisters Lily Boost's clean boost voice out front: JHS 3 Series Oil Can Delay goes after Red Witch Seven Sisters Lily Boost in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Artec SE-FLG Vintage Flanger in the signal chain, where it won't crowd Artec SE-FLG Vintage Flanger

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Crazy Tube Circuits Memphis's modulated voice out front: JHS 3 Series Oil Can Delay goes after Crazy Tube Circuits Memphis in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JHS 3 Series Oil Can Delay's modulated voice goes after Silktone Loader in the signal chain — it's not there to compete with Silktone Loader's own edge of breakup character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Free The Tone ODL-1 Overdriveland Standard in the signal chain, clear of Free The Tone ODL-1 Overdriveland Standard's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Source Audio Gemini Chorus's shimmer voice out front: JHS 3 Series Oil Can Delay goes after Source Audio Gemini Chorus in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Attic FX JFET Boost in the signal chain, clear of Attic FX JFET Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JHS 3 Series Oil Can Delay after EVH MXR 5150 Chorus in the signal chain, where it won't crowd EVH MXR 5150 Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run JHS 3 Series Oil Can Delay after Behringer Dual-Phase in the signal chain, where it won't crowd Behringer Dual-Phase

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Jackson Audio Amp Mode's dynamic voice out front: JHS 3 Series Oil Can Delay goes after Jackson Audio Amp Mode in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Booster's clean boost voice out front: JHS 3 Series Oil Can Delay goes after MXR Booster in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JHS 3 Series Oil Can Delay after Dr. Scientist Boostbot in the signal chain, clear of Dr. Scientist Boostbot's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Electronic Audio Experiments Halberd Discrete Transistor Overdrive in the signal chain, clear of Electronic Audio Experiments Halberd Discrete Transistor Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Lehle Sunday Driver II in the signal chain, clear of Lehle Sunday Driver II's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run JHS 3 Series Oil Can Delay after Ibanez PT Gate in the signal chain, where it won't crowd Ibanez PT Gate

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Electronic Audio Experiments Model FeT in the signal chain, clear of Electronic Audio Experiments Model FeT's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JHS 3 Series Oil Can Delay after Lovepedal MKIII in the signal chain, clear of Lovepedal MKIII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Lehle Sunday Driver SW II's transparent voice out front: JHS 3 Series Oil Can Delay goes after Lehle Sunday Driver SW II in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JHS 3 Series Oil Can Delay after Maxon ST-9 Pro+ Super Tube in the signal chain, clear of Maxon ST-9 Pro+ Super Tube's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JHS 3 Series Oil Can Delay's modulated voice goes after Cornerstone Antique V3 in the signal chain — it's not there to compete with Cornerstone Antique V3's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS 3 Series Oil Can Delay after Fender Bassman Compressor in the signal chain, where it won't crowd Fender Bassman Compressor

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JHS 3 Series Oil Can Delay after Wampler Hot Wired V1 in the signal chain, clear of Wampler Hot Wired V1's own gain stage

Comes earlier in the signal chain