Pedals that stack with the Marshall JCM900 2100

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

The BB Preamp's creamy, treble-boosted EQ pushes the JCM900's hard-rock crunch further.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → clean boost)

Feed a crunchy signal into Analog Man King of Tone and it comes out closer to clean boost

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Friedman BE-OD pushes a high gain tone toward tight

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

Marshall JCM900 2100's own aggressive character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run Origin Effects MAGMA57 Amp Vibrato & Drive after Marshall JCM900 2100 in the signal chain, clear of Marshall JCM900 2100's own gain stage

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100's own aggressive character is the real reason this is worth trying

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

Marshall JCM900 2100's own aggressive character is the real reason this is worth trying

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Marshall JCM900 2100 leans toward aggressive, and that's a real, usable character to pair with

Goes in front of the amp