Pedals that stack with the Marshall JCM900 2100

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Marshall JCM900 2100 leans this high headroom tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Marshall JCM900 2100 leans toward aggressive, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Marshall JCM900 2100 pushes a edge of breakup tone toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

What Marshall JCM900 2100 brings here leans toward aggressive — that's worth building a pairing around

Goes in front of the amp

What Marshall JCM900 2100 brings here leans toward aggressive — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → mid-forward)

Into a high headroom tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

What Marshall JCM900 2100 brings here leans toward aggressive — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

Marshall JCM900 2100's own aggressive character is the real reason this is worth trying

Goes in front of the amp

Marshall JCM900 2100 leans toward aggressive, and that's a real, usable character to pair with

Goes in front of the amp

What Marshall JCM900 2100 brings here leans toward aggressive — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

Catalinbread Dirty Little Secret Deluxe's full voice goes in Marshall JCM900 2100's effects loop — it's not there to compete with Marshall JCM900 2100's own aggressive character — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Marshall JCM900 2100 brings a pull toward mid-forward that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Marshall JCM900 2100's aggressive voice out front: Electro-Harmonix Canyon goes in Marshall JCM900 2100's effects loop so its modulated voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop