Pedals that stack with the Marshall Super Bass
← everything about the Marshall Super Bass
All 155 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Xotic BB Preamp
Xotic
44% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Xotic BB Preamp's smooth balances out the bright tone
Goes in front of the amp
Catalinbread SFT
Catalinbread
39% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Super Bass' pedal-platform headroom gives the SFT's thick, compressed British drive a clean amp voice to push into.
Goes in front of the amp
ProCo RAT 2
Proco
38% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Marshall Super Bass leans into a clean amp's front end, precisely the platform ProCo RAT 2 wants
Goes in front of the amp
Electro-Harmonix XO Deluxe Memory Man
Electro-Harmonix
36% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Run Marshall Super Bass after it and the dark edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Wampler Latitude Deluxe Tremolo
Wampler
34% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright
Goes in front of the amp
MXR Flanger
MXR
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Super Bass is voiced as a pedal platform, and the Flanger's subtle analog sweep rides on top of that warmth instead of getting buried.
Goes in front of the amp
Boss OC-5
Boss
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Caroline Guitar Company Kilobyte
Caroline Guitar Company
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the Super Bass's own pedal-platform headroom, the Kilobyte's warm digital delay stays clear instead of smearing. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Caroline Guitar Company Meteore
Caroline Guitar Company
31% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Hughes & Kettner Tube Rotosphere MKII The Analog Leslie Simulator
pedal
31% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
The Rotosphere's tube-driven Leslie swirl adds rotating-speaker motion after the Super Bass' pedal-platform gain.
Goes in front of the amp
Eventide Modulated Delay
Eventide
31% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Greer Mizuki blue
Greer
31% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the Super Bass's pedal-friendly front end, the Mizuki Blue's warm, transparent drive adds grit without stepping on the amp's own overdrive.
Goes in front of the amp
TC Electronic SCF Gold Stereo Chorus
TC Electronic
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
MXR Phase 90
MXR
30% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run MXR Phase 90 after Marshall Super Bass in the signal chain, clear of Marshall Super Bass's own gain stage
Goes in front of the amp
Echoplex EP-3
Echoplex
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Feed the Super Bass's clear, pedal-platform headroom with the Echoplex's warm, organic tape echo so the repeats stay natural instead of picking up the amp's own overdrive. — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Systech Harmonic Energizer
Systech
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
Walrus Audio Monumental Stereo Harmonic Tremolo
Walrus Audio
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass's bright balances out the warm tone
Goes in front of the amp
Tech 21 SansAmp Bass Driver DI V2
Tech 21
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it
Goes in front of the amp
Boss DD-7 Digital Delay
Boss
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Suhr Discovery
Suhr
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Walrus Audio Julia
Walrus Audio
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Into the Super Bass's pedal-friendly front end, the Julia's lush, organic vibrato adds motion without dulling the amp's clear, present voice.
Goes in front of the amp
Crazy Tube Circuits Golden Ratio
Crazy Tube Circuits
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Where this leans warm, Marshall Super Bass answers back bright
Goes in front of the amp
Line 6 DL4 Delay Modeler
pedal
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Marshall Super Bass leans bright right where the warm tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Walrus Audio Bellwether Stereo Analog Delay
Walrus Audio
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)
Run Marshall Super Bass after it and the warm edge settles into something more bright — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop