Pedals that stack with the Mesa Boogie Mark I
← everything about the Mesa Boogie Mark I
All 124 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
T-Rex Hobo Drive
T Rex
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Wren and Cuff Phat Phuk B v2 Germanium Boost
Wren And Cuff
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Lovepedal ProValve 2
Lovepedal
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing
Goes in front of the amp
Jackson Audio Amp Mode
Jackson Audio
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Free The Tone Silky Comp SC-1-CS
Free The Tone
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I's own high gain character is the real reason this is worth trying
Goes in front of the amp
Keeley KTM-B Time Machine Boost
Keeley
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Greer Amps Sonic Boom
Greer
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Mad Professor Loud N Proud
Mad Professor
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing
Goes in front of the amp
Crazy Tube Circuits Magnifier Buffer-Preamp
Crazy Tube Circuits
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing
Goes in front of the amp
JHS 424 Gain Stage
JHS Pedals
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing
Goes in front of the amp
Danelectro CEO
Danelectro
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing
Goes in front of the amp
Beetronics Custom Shop Fatbee Alliance Overdrive
Beetronics
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Jackson Audio Blossom
Jackson Audio
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
T-Rex RPDK-0088
T Rex
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing
Goes in front of the amp
Mad Professor Mad-Sdo
Mad Professor
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Electronic Audio Experiments Halberd Discrete Transistor Overdrive
Electronic Audio Experiments
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Vox Valvenergy Smooth Impact
Vox
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
What Mesa Boogie Mark I brings here leans toward high gain — that's worth building a pairing around
Goes in front of the amp
Rodenberg M2-Clean Boost
Rodenberg
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
One Control Raspberry Booster
One Control
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
One Control Granith Grey Booster V2
One Control
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Tortion FET Overdrive
Tortion
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
ThorpyFX Gunshot V2
ThorpyFX
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
TC Electronic Rush Booster
TC Electronic
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Keeley Caverns Delay Reverb Ltd Edition
Keeley
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Mesa Boogie Mark I leans toward high gain, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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