Pedals that stack with the Mesa Boogie Mark I

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Mesa Boogie Mark I and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Mesa Boogie Mark I pushes a high gain tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Gate hum and noise with the SE-NGT before the Mark I's high-gain, creamy preamp, so noisy chains stay quiet between hits.

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Mesa Boogie Mark I on top and a scooped tone tightens toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Mesa Boogie Mark I takes that high gain character and pushes it toward mid-forward

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Stack Mesa Boogie Mark I on top and a edge of breakup tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Mesa Boogie Mark I pushes a high gain tone toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Mesa Boogie Mark I and it comes out closer to mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

What Mesa Boogie Mark I brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Mesa Boogie Mark I pushes a crunchy tone toward mid-forward

Goes in front of the amp