Pedals that stack with the Mesa Boogie Mark I

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Mesa Boogie Mark I takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Mesa Boogie Mark I on top and a scooped tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Mesa Boogie Mark I pushes a scooped tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Mesa Boogie Mark I pushes a scooped tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Mesa Boogie Mark I takes that scooped character and pushes it toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Mesa Boogie Mark I takes that scooped character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Mesa Boogie Mark I on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Mesa Boogie Mark I and it comes out closer to mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

Used together by 2 artists

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run MXR Phase 90 after Mesa Boogie Mark I in the signal chain, clear of Mesa Boogie Mark I's own gain stage

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Mesa Boogie Mark I pushes a crunchy tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

Mesa Boogie Mark I's own high gain character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Mesa Boogie Mark I on top and a scooped tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans this transparent tone toward mid-forward, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Mesa Boogie Mark I takes that scooped character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Mesa Boogie Mark I pushes a high gain tone toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Into a transparent tone, Mesa Boogie Mark I brings a pull toward mid-forward that's missing

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Mesa Boogie Mark I pushes a high gain tone toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Mesa Boogie Mark I and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Stack Mesa Boogie Mark I on top and a crunchy tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Mesa Boogie Mark I on top and a scooped tone tightens toward mid-forward

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

Mesa Boogie Mark I leans toward high gain, and that's a real, usable character to pair with

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Mesa Boogie Mark I on top and a high gain tone tightens toward mid-forward

Goes in front of the amp