Pedals that stack with the Mojo Hand FX Speakeasy

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Run MXR Distortion+ after it and the warm edge settles into something more bright

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Catalinbread Formula 55 leans bright right where the warm tone needs it

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Friedman Sir-Compre leans toward compressed, and that's a real, usable character to pair with

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mojo Hand FX Speakeasy's warm voice out front: Walrus Audio Lillian goes after Mojo Hand FX Speakeasy in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Strymon El Capistan after Mojo Hand FX Speakeasy in the signal chain, clear of Mojo Hand FX Speakeasy's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Automatone CXM 1978 after Mojo Hand FX Speakeasy in the signal chain, clear of Mojo Hand FX Speakeasy's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain