Pedals that stack with the Orange Series Phaser

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EVH Modern High Gain's high gain voice out front: Orange Series Phaser goes after EVH Modern High Gain in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Orange Series Phaser's mid-forward voice goes after Boss MT-2w in the signal chain — it's not there to compete with Boss MT-2w's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Orange Series Phaser's mid-forward voice goes after Boss MT-2w in the signal chain — it's not there to compete with Boss MT-2w's own high gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Orange Series Phaser after TC Electronic Alter Ego V2 Vintage Echo in the signal chain, where it won't crowd TC Electronic Alter Ego V2 Vintage Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Behringer HM300 in the signal chain, clear of Behringer HM300's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Orange Series Phaser after Mooer Micro Preamp 008 Cali 3 in the signal chain, clear of Mooer Micro Preamp 008 Cali 3's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Orange Series Phaser after Vertex Tone Secret in the signal chain, clear of Vertex Tone Secret's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Orange Series Phaser's mid-forward voice goes after Tone City Model B Distortion TC-T31 in the signal chain — it's not there to compete with Tone City Model B Distortion TC-T31's own crunchy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Dunlop MXR Dookie Drive 30th Anniversary DD30 in the signal chain, clear of Dunlop MXR Dookie Drive 30th Anniversary DD30's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Dunlop MXR Dookie Drive 30th Anniversary DD30 in the signal chain, clear of Dunlop MXR Dookie Drive 30th Anniversary DD30's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mooer 002 UK Golden 900's gritty voice out front: Orange Series Phaser goes after Mooer 002 UK Golden 900 in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Orange Series Phaser after Mooer 011 Cali-Dual in the signal chain, clear of Mooer 011 Cali-Dual's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Mesa/Boogie DynaPlex in the signal chain, clear of Mesa/Boogie DynaPlex's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Orange Series Phaser after Ibanez OD850 Overdrive in the signal chain, clear of Ibanez OD850 Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Orange Series Phaser's mid-forward voice goes after Black Arts Toneworks Sarcophagus in the signal chain — it's not there to compete with Black Arts Toneworks Sarcophagus's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Orange Series Phaser after Universal Audio Knuckles '92 Dual Rec Amplifier in the signal chain, clear of Universal Audio Knuckles '92 Dual Rec Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Orange Series Phaser after Donner Fush Drive 2020 in the signal chain, clear of Donner Fush Drive 2020's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Line 6 Crunchtone Overdrive in the signal chain, clear of Line 6 Crunchtone Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep PastFx Preamp Crunch Plus's crunchy voice out front: Orange Series Phaser goes after PastFx Preamp Crunch Plus in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Mooer 020 Blueno Micro Preamp in the signal chain, clear of Mooer 020 Blueno Micro Preamp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Universal Audio Uafx Lion '68 Super Lead Amp's crunchy voice out front: Orange Series Phaser goes after Universal Audio Uafx Lion '68 Super Lead Amp in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after Fulltone Custom Shop OCD Gold Standard LTD in the signal chain, clear of Fulltone Custom Shop OCD Gold Standard LTD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Orange Series Phaser's mid-forward voice goes after Amptweaker Tight Rock 2 in the signal chain — it's not there to compete with Amptweaker Tight Rock 2's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Orange Series Phaser after T-Rex DGTM Overdrive in the signal chain, clear of T-Rex DGTM Overdrive's own gain stage

Comes earlier in the signal chain