Pedals that stack with the Peavey Invective 120

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Sola Sound Tone Bender MkII leans this transparent tone toward fuzzy, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → medium gain)

The transparent tone has headroom to spare — Klon Centaur leans it toward medium gain to fill it in

Goes in front of the amp

Peavey Invective 120's own transparent character is the real reason this is worth trying — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → fuzzy)

Run Wren and Cuff Box of War OG into that transparent platform and it finally leans toward fuzzy

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into a low gain tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Peavey Invective 120 stacks high gain on top of the mid-forward already here

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Peavey Invective 120 and it comes out closer to mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Boss BF-2 Flanger after Peavey Invective 120 in the signal chain, clear of Peavey Invective 120's own gain stage

Goes in front of the amp

Peavey Invective 120's own transparent character is the real reason this is worth trying

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Peavey Invective 120 leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

Peavey Invective 120's own transparent character is the real reason this is worth trying

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Peavey Invective 120 takes that scooped character and pushes it toward mid-forward

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Peavey Invective 120 leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Peavey Invective 120 leans toward transparent, and that's a real, usable character to pair with

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → tight)

Stack Peavey Invective 120 on top and a high gain tone tightens toward tight

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp