Pedals that stack with the Peavey Invective 120

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Peavey Invective 120 leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Peavey Invective 120 leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Peavey Invective 120 takes that saturated character and pushes it toward tight

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

What Peavey Invective 120 brings here leans toward transparent — that's worth building a pairing around

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Peavey Invective 120 takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Peavey Invective 120 brings a pull toward high gain that's missing

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Peavey Invective 120 leans toward transparent, and that's a real, usable character to pair with

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Peavey Invective 120 leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Peavey Invective 120 takes that edge of breakup character and pushes it toward mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Feed a crunchy signal into Peavey Invective 120 and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Peavey Invective 120 takes that crunchy character and pushes it toward mid-forward

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Hammertone's lush, shimmering reverb in the Invective's loop, clear of the amp's own tight, gated metal channel. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Peavey Invective 120 for more high gain on top

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → ambient)

Keep Peavey Invective 120's transparent voice out front: Strymon BigSky goes in Peavey Invective 120's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop