Pedals that stack with the Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head

Wampler Cory Wong

The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the BIAS Head's own modeled high-gain voice.

Ibanez Tube Screamer

The BIAS Head's modern, high-gain amp-match platform gives the Screamer's mid-forward boost a versatile amp voice.

Friedman BE-OD

The BIAS Head's modern, high-gain platform stacks with the BE-OD's own tight, hard-rock gain.

Beetronics Swarm

The BIAS Head's modern, high-gain platform gives the Swarm's modulated fuzz textures a versatile amp voice to push into.

Ashdown Triple Shot

The BIAS Head's modern, high-gain platform gives the Triple Shot's driven midrange overdrive a versatile amp voice.

Xotic RC Booster

Into the BIAS Head's amp-matched platform, the RC Booster's transparent boost pushes the front end without coloring the modeled tone.

Electro-Harmonix Small Stone

The BIAS Head's modern, high-gain voicing gives the Small Stone's vowel-like sweep a saturated amp platform.

Electro-Harmonix Deluxe Electric Mistress

The Deluxe Electric Mistress' shimmering, subtle flange follows the BIAS Head's modern, high-gain voicing for added texture.

Ashdown Velvet Compressor

Into the BIAS Head's modern, high-gain modeling, the Velvet Compressor keeps the bass attack from getting buried.

Electro-Harmonix Nano Operation Overlord

Into a transparent tone, Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head brings the high gain it's missing

Suhr Shiba Drive

The BIAS Head's modeled, high-gain platform gives the Shiba Drive's vintage, articulate overdrive somewhere modern to push.

Boss BC-1X

Into the BIAS Head's modeled, high-gain bass platform, the BC-1X's live, mid-forward compression has a versatile amp voice to work with.

Ashdown Double Shot

Into the BIAS Head's modeled, high-gain bass platform, the Double Shot's gritty overdrive has a versatile amp voice to push into.

Dan Armstrong Orange Squeezer

Run the Orange Squeezer ahead of the BIAS Head's amp-matched models so picking dynamics stay even before the modeling engine shapes the tone.

Empress ParaEQ Bass Parametric EQ

Run the ParaEQ ahead of the BIAS Head's amp-matched models to shape frequency balance before the modeling engine takes over.

Ashdown Macchiato Compressor Guy Pratt Signature

The BIAS Head's modeled preamp gives the Macchiato's own compression something modern and high-gain to sit in front of.

Ibanez TS808HW Hand-Wired Tube Screamer

The transparent tone has headroom to spare — Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head gives it high gain to fill it with

Dunlop Cry Baby SW95 Slash Wah

Put Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head in front and the mid-forward tone leans further toward high gain

Dunlop Cry Baby SW95 Slash Wah

Put Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head in front and the mid-forward tone leans further toward high gain

Origin Effects M-EQ Driver

Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head stacks high gain on top of the mid-forward already here

Aguilar DB316

The BIAS Head's modeled, high-gain platform gives the DB316's punchy, midrange EQ boost somewhere modern to push.

Wampler Moxie TS10 Tube Screamer Style Mini Overdrive

Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head layers high gain onto an already mid-forward signal

Ashdown James LoMenzo HyperDrive

Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head layers high gain onto an already mid-forward signal

Dunlop MXR M282 Dyna Comp Bass

Into a transparent tone, Positive Grid BIAS Head 600W Amp Match Guitar/Bass Head brings the high gain it's missing