Pedals that stack with the Positive Grid Bias Head 600W Amp Match Guitar/Bass Head

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The BIAS Head's modern, high-gain amp-match platform gives the Screamer's mid-forward boost a versatile amp voice.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

The BIAS Head's modern, high-gain platform gives the Triple Shot's driven midrange overdrive a versatile amp voice.

Goes in front of the amp

Run mid-forward into Positive Grid Bias Head 600W Amp Match Guitar/Bass Head for more high gain on top

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Klon Centaur and it comes out closer to mid-forward

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

The BIAS Head's modeled, high-gain platform gives the Shiba Drive's vintage, articulate overdrive somewhere modern to push.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Positive Grid Bias Head 600W Amp Match Guitar/Bass Head leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Strymon Eventide TriceraChorus's modulated voice goes after Positive Grid Bias Head 600W Amp Match Guitar/Bass Head in the signal chain — it's not there to compete with Positive Grid Bias Head 600W Amp Match Guitar/Bass Head's own high gain character

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Positive Grid Bias Head 600W Amp Match Guitar/Bass Head brings a pull toward high gain that's missing

Goes in front of the amp

Into the BIAS Head's modeled, high-gain bass platform, the BC-1X's live, mid-forward compression has a versatile amp voice to work with.

Goes in front of the amp

Run mid-forward into Positive Grid Bias Head 600W Amp Match Guitar/Bass Head for more high gain on top

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Put Positive Grid Bias Head 600W Amp Match Guitar/Bass Head in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

Run the ParaEQ ahead of the BIAS Head's amp-matched models to shape frequency balance before the modeling engine takes over.

Goes in front of the amp

What Positive Grid Bias Head 600W Amp Match Guitar/Bass Head brings here leans toward high gain — that's worth building a pairing around

Goes in front of the amp

The BIAS Head's modeled, high-gain platform gives the DB316's punchy, midrange EQ boost somewhere modern to push.

Goes in front of the amp

The BIAS Head's modeled preamp gives the Macchiato's own compression something modern and high-gain to sit in front of.

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the BIAS Head's own modeled high-gain voice.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep Positive Grid Bias Head 600W Amp Match Guitar/Bass Head's high gain voice out front: Meris Mercury7 Reverb goes in Positive Grid Bias Head 600W Amp Match Guitar/Bass Head's effects loop so its ambient voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → lush)

Keep the Moby Dick in the BIAS Head's loop for massive, lush ambient reverb well beyond the amp's own modeled voices. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Positive Grid Bias Head 600W Amp Match Guitar/Bass Head leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

Positive Grid Bias Head 600W Amp Match Guitar/Bass Head's own high gain character is the real reason this is worth trying

Goes in front of the amp

Put Positive Grid Bias Head 600W Amp Match Guitar/Bass Head in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Positive Grid Bias Head 600W Amp Match Guitar/Bass Head layers high gain onto an already mid-forward signal

Goes in front of the amp

Positive Grid Bias Head 600W Amp Match Guitar/Bass Head leans toward high gain, and that's a real, usable character to pair with

Goes in front of the amp

Positive Grid Bias Head 600W Amp Match Guitar/Bass Head leans toward high gain, and that's a real, usable character to pair with

Goes in front of the amp