Pedals that stack with the Roland Cube Street
← everything about the Roland Cube Street
All 56 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Electro-Harmonix Big Muff Pi
Electro-Harmonix
36% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Boss HM-2 Heavy Metal
Boss
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
A busking combo like the Cube Street still gives the HM-2's massive death-metal distortion a surprisingly portable outlet.
Goes in front of the amp
JAM Pedals Red Muck
Jam Pedals
32% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Roland Cube Street on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
EarthQuaker Devices Dirt Transmitter
EarthQuaker Devices
32% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
The Cube Street's versatile, full-voiced practice platform gives the Dirt Transmitter's stacking-friendly gain a portable amp voice.
Goes in front of the amp
Fjord Fuzz Odin
Fjord Fuzz
31% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
The Odin's doom-heavy stoner fuzz is a much heavier gain than the Cube Street's busking-friendly clean usually sees.
Goes in front of the amp
Fjord Fuzz Berserk
Fjord Fuzz
30% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Fjord Fuzz Berserk stacks fuzzy on top of the mid-forward already here
Goes in front of the amp
Electro-Harmonix Little Big Muff Pi
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Roland Cube Street on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
Electro-Harmonix Op-Amp Big Muff
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street pushes a scooped tone toward mid-forward
Goes in front of the amp
Way Huge Swollen Pickle
Way Huge
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Electro-Harmonix Nano Metal Muff
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Roland Cube Street on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
Wren and Cuff Pickle Pie
Wren And Cuff
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Roland Cube Street on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
MXR EVH90 Phase 90
MXR
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Goes in front of the amp
Way Huge Smalls Swollen Pickle Fuzz
Dunlop
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Goes in front of the amp
Behringer UM300 Heavy Metal Distortion
Behringer
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Goes in front of the amp
TC Electronic Fangs Metal Distortion
TC Electronic
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street pushes a scooped tone toward mid-forward
Goes in front of the amp
MXR Fullbore Metal
MXR
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street pushes a scooped tone toward mid-forward
Goes in front of the amp
Beetronics Tuna Fuzz
Beetronics
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Stack Roland Cube Street on top and a scooped tone tightens toward mid-forward
Goes in front of the amp
smallsound/bigsound Buzzz
smallsound/bigsound
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Goes in front of the amp
Death By Audio Fuzz War
Death By Audio
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Goes in front of the amp
Boss MT-2w
Mt 2w
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Boss MT-2w
Boss
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
TC Electronic Eyemaster
TC Electronic
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street pushes a scooped tone toward mid-forward
Goes in front of the amp
Behringer HM300
Behringer
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Roland Cube Street takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
EVH Modern High Gain
MXR
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Roland Cube Street and it comes out closer to mid-forward
Goes in front of the amp