Pedals that stack with the Suhr Discovery

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Dallas Rangemaster Treble Booster's bright balances out the warm tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

MXR Distortion+'s bright balances out the warm tone

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Discovery's warm voice out front: IdiotBox Effects End of Line goes after Suhr Discovery in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Suhr Discovery in the signal chain, where it won't crowd Suhr Discovery

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Suhr Discovery's warm voice goes after RHC Rat Turbo Rat Distortion in the signal chain — it's not there to compete with RHC Rat Turbo Rat Distortion's own aggressive character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Discovery after Dunlop Zakk Wylde Wah in the signal chain, where it won't crowd Dunlop Zakk Wylde Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Suhr Discovery after Morley 20/20 Wah Boost in the signal chain, where it won't crowd Morley 20/20 Wah Boost

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Discovery after Wylde Audio Cry Baby Wah in the signal chain, where it won't crowd Wylde Audio Cry Baby Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Suhr Discovery's warm voice goes after T-Rex Tremonti Phaser in the signal chain — it's not there to compete with T-Rex Tremonti Phaser's own lush character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Suhr Discovery after MXR Dyna Comp in the signal chain, where it won't crowd MXR Dyna Comp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Electronic Audio Experiments Glaive Octave Fuzz's octave voice out front: Suhr Discovery goes after Electronic Audio Experiments Glaive Octave Fuzz in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Dirt Transmitter V2's bright voice out front: Suhr Discovery goes after EarthQuaker Devices Dirt Transmitter V2 in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Suhr Discovery after Tech 21 Marty Friedman in the signal chain, clear of Tech 21 Marty Friedman's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Suhr Discovery after Electro-Harmonix Big Muff Pi with Tone Wicker in the signal chain, clear of Electro-Harmonix Big Muff Pi with Tone Wicker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Morley 20/20 Britt Lightning Wah's dynamic voice out front: Suhr Discovery goes after Morley 20/20 Britt Lightning Wah in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Suhr Discovery's warm voice goes after Ashdown Pro-FX Pro Drive in the signal chain — it's not there to compete with Ashdown Pro-FX Pro Drive's own full character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Suhr Discovery after Walrus Audio Warhorn in the signal chain, clear of Walrus Audio Warhorn's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Discovery's lush, transparent delay trails the Geezer Butler's doom-voiced distortion with real saturation to decay.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Discovery after Beetronics Royal Jelly in the signal chain, clear of Beetronics Royal Jelly's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Suhr Discovery's warm voice goes after Vox Valvenergy Cutting Edge in the signal chain — it's not there to compete with Vox Valvenergy Cutting Edge's own tight character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Sola Sound Tone Bender MK1's full voice out front: Suhr Discovery goes after Sola Sound Tone Bender MK1 in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Custom Shop Joe Bonamassa CSP265 FET Driver's op-amp voice out front: Suhr Discovery goes after MXR Custom Shop Joe Bonamassa CSP265 FET Driver in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Suhr Discovery after Tone City Holy Aura in the signal chain, clear of Tone City Holy Aura's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Discovery after the Charon — the hybrid germanium-silicon crunch stays intact and the delay's transparent, natural repeats trail behind it.

Comes earlier in the signal chain