Pedals that stack with the Suhr Woodshed

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

The Woodshed's warm, country-voiced compression evens dynamics before the Distortion+'s gritty gain stage.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Dunlop MXR M282 Dyna Comp Bass's own compressed character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Biyang Pre-19 Preamp's own gritty character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Laney Digbeth DB-Pre leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Run the Woodshed's smooth, American-voiced compression before the Acorn preamp's own wiry, tight stage drive kicks in.

Comes later in the signal chain

What Ashdown Geezer Butler Signature brings here leans toward high gain — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Ashdown James LoMenzo HyperDrive's own mid-forward character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

What Acoustic NUX Optima Air NAI-5 brings here leans toward warm — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

MXR M104 Distortion+'s own gritty character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

MXR M104 Distortion+'s own gritty character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Markbass MB Instrument PRE leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

What Origin Effects DCX Boost brings here leans toward low gain — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Hotone A Station's own mid-forward character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Origin Effects BassRig Fifteen leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

What Tech 21 DP-3X Dug Pinnick Signature Bass Distortion brings here leans toward bright — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Electronic Audio Experiments Surveyor Instrument Voicing Preamp leans toward harmonically rich, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

What Aguilar OBP-2TK brings here leans toward bright — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Tech 21 SansAmp Character Plus Mop Top Liverpool's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

What Fuzzrocious Baxstabber EQ/preamp/tone shaper brings here leans toward bright — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Dallas Tuxedo Treble Booster leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Keeley Super Phat Mod leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Mooer Grey Faze Fuzz's own silicon character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Fuzzrocious Baxtabber leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Neunaber Wet Mono Reverb Pedal after Suhr Woodshed in the signal chain, where it won't crowd Suhr Woodshed — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain