Pedals that stack with the TC Electronic Mimiq Doubler
← everything about the TC Electronic Mimiq Doubler
All 95 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
EarthQuaker Devices Life Pedal
EarthQuaker Devices
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
TC Electronic Mimiq Doubler's mid-forward voice goes after EarthQuaker Devices Life Pedal in the signal chain — it's not there to compete with EarthQuaker Devices Life Pedal's own clean boost character
Comes earlier in the signal chain
Keeley D&M Drive
Keeley
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put TC Electronic Mimiq Doubler after Keeley D&M Drive in the signal chain, clear of Keeley D&M Drive's own gain stage
Comes earlier in the signal chain
Mad Professor - Little Green Wonder HW
Mad Professor
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Mimiq Doubler after Mad Professor - Little Green Wonder HW in the signal chain, clear of Mad Professor - Little Green Wonder HW's own gain stage
Comes earlier in the signal chain
MXR YJM308 Yngwie Malmsteen Overdrive
Dunlop
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after MXR YJM308 Yngwie Malmsteen Overdrive in the signal chain, clear of MXR YJM308 Yngwie Malmsteen Overdrive's own gain stage
Comes earlier in the signal chain
MXR YJM308 Yngwie Malmsteen Overdrive
MXR
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after MXR YJM308 Yngwie Malmsteen Overdrive in the signal chain, clear of MXR YJM308 Yngwie Malmsteen Overdrive's own gain stage
Comes earlier in the signal chain
Fender Breakup Drive
Fender
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put TC Electronic Mimiq Doubler after Fender Breakup Drive in the signal chain, clear of Fender Breakup Drive's own gain stage
Comes earlier in the signal chain
Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp
Universal Audio
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp's edge of breakup voice out front: TC Electronic Mimiq Doubler goes after Universal Audio Uafx Woodrow '55 Instrument Amplifier Preamp in the signal chain so its mid-forward voice doesn't muddy it
Comes later in the signal chain
Zvex Channel 2
Zvex
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after Zvex Channel 2 in the signal chain, clear of Zvex Channel 2's own gain stage
Comes earlier in the signal chain
Rodenberg LDP Overdrive/Clean Boost
Rodenberg
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Rodenberg LDP Overdrive/Clean Boost's clean boost voice out front: TC Electronic Mimiq Doubler goes after Rodenberg LDP Overdrive/Clean Boost in the signal chain so its mid-forward voice doesn't muddy it
Comes later in the signal chain
Carl Martin Dual Injection
Carl Martin
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Mimiq Doubler after Carl Martin Dual Injection in the signal chain, clear of Carl Martin Dual Injection's own gain stage
Comes earlier in the signal chain
Sonicake B Factory Analog Bass Preamp Comp and Overdrive
Sonicake
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
TC Electronic Mimiq Doubler's mid-forward voice goes after Sonicake B Factory Analog Bass Preamp Comp and Overdrive in the signal chain — it's not there to compete with Sonicake B Factory Analog Bass Preamp Comp and Overdrive's own compressed character
Comes earlier in the signal chain
JHS Morning Glory
JHS Pedals
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after JHS Morning Glory in the signal chain, clear of JHS Morning Glory's own gain stage
Comes earlier in the signal chain
Cornerstone Colosseum LTD BK
Cornerstone
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run TC Electronic Mimiq Doubler after Cornerstone Colosseum LTD BK in the signal chain, clear of Cornerstone Colosseum LTD BK's own gain stage
Comes earlier in the signal chain
Revv G2 (Green Channel Drive)
Revv
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after Revv G2 (Green Channel Drive) in the signal chain, clear of Revv G2 (Green Channel Drive)'s own gain stage
Comes earlier in the signal chain
Lovepedal Purple Plexi
Lovepedal
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
TC Electronic Mimiq Doubler's mid-forward voice goes after Lovepedal Purple Plexi in the signal chain — it's not there to compete with Lovepedal Purple Plexi's own edge of breakup character
Comes earlier in the signal chain
Dunlop MXR M294 Sugar Drive
Dunlop
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put TC Electronic Mimiq Doubler after Dunlop MXR M294 Sugar Drive in the signal chain, clear of Dunlop MXR M294 Sugar Drive's own gain stage
Comes earlier in the signal chain
MXR M294 Sugar Drive Mini
MXR
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
TC Electronic Mimiq Doubler's mid-forward voice goes after MXR M294 Sugar Drive Mini in the signal chain — it's not there to compete with MXR M294 Sugar Drive Mini's own transparent character
Comes earlier in the signal chain
MXR M294 Sugar Drive Mini
Dunlop
17% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
TC Electronic Mimiq Doubler's mid-forward voice goes after MXR M294 Sugar Drive Mini in the signal chain — it's not there to compete with MXR M294 Sugar Drive Mini's own transparent character
Comes earlier in the signal chain
ThorpyFX Judge Death Deathbringer Warthog
ThorpyFX
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put TC Electronic Mimiq Doubler after ThorpyFX Judge Death Deathbringer Warthog in the signal chain, clear of ThorpyFX Judge Death Deathbringer Warthog's own gain stage
Comes earlier in the signal chain
Warm Audio Dirty Boy Jr. Overdrive
Warm Audio
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after Warm Audio Dirty Boy Jr. Overdrive in the signal chain, clear of Warm Audio Dirty Boy Jr. Overdrive's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Canyon Echo Multi-Function Digital Delay
Electro-Harmonix
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
TC Electronic Mimiq Doubler's mid-forward voice goes after Electro-Harmonix Canyon Echo Multi-Function Digital Delay in the signal chain — it's not there to compete with Electro-Harmonix Canyon Echo Multi-Function Digital Delay's own pristine character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Subdecay Liquid Sunshine MKIII
Subdecay
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep TC Electronic Mimiq Doubler after Subdecay Liquid Sunshine MKIII in the signal chain, clear of Subdecay Liquid Sunshine MKIII's own gain stage
Comes earlier in the signal chain
Keeley White Sands Luxe Drive
Keeley
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Keeley White Sands Luxe Drive's edge of breakup voice out front: TC Electronic Mimiq Doubler goes after Keeley White Sands Luxe Drive in the signal chain so its mid-forward voice doesn't muddy it
Comes earlier in the signal chain
Wampler Dracarys
Wampler
16% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Wampler Dracarys's high gain voice out front: TC Electronic Mimiq Doubler goes after Wampler Dracarys in the signal chain so its mid-forward voice doesn't muddy it
Comes earlier in the signal chain