Pedals that stack with the TC Electronic Mimiq Doubler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Jackson Audio Silvertone 1484 Twin Twelve in the signal chain, clear of Jackson Audio Silvertone 1484 Twin Twelve's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Subdecay Super-nova Drive in the signal chain, clear of Subdecay Super-nova Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Wampler Reflection in the signal chain, where it won't crowd Wampler Reflection — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Tone King Imperial Preamp's dynamic voice out front: TC Electronic Mimiq Doubler goes after Tone King Imperial Preamp in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Carl Martin Echotone in the signal chain, where it won't crowd Carl Martin Echotone — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wren and Cuff Phat Phuk B v2 Germanium Boost's germanium voice out front: TC Electronic Mimiq Doubler goes after Wren and Cuff Phat Phuk B v2 Germanium Boost in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mooer Micro Preamp 006 US Classic Deluxe's transparent voice out front: TC Electronic Mimiq Doubler goes after Mooer Micro Preamp 006 US Classic Deluxe in the signal chain so its mid-forward voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Death By Audio Echo Master Mic Stand Clip v3 in the signal chain, where it won't crowd Death By Audio Echo Master Mic Stand Clip v3 — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Cusack Music Resound in the signal chain, where it won't crowd Cusack Music Resound — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Wadsworth Music Engager Boost in the signal chain, clear of Wadsworth Music Engager Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep DigiTech DOD Overdrive Preamp 250X's transparent voice out front: TC Electronic Mimiq Doubler goes after DigiTech DOD Overdrive Preamp 250X in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Keeley Super Rodent in the signal chain, clear of Keeley Super Rodent's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Lovepedal ET-ST Eternity Stack in the signal chain, clear of Lovepedal ET-ST Eternity Stack's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Browne Amplification The Fixer Dual Boost/Buffer in the signal chain, clear of Browne Amplification The Fixer Dual Boost/Buffer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after EarthQuaker Devices Plumes KGR Collector Limited #46/100 in the signal chain — it's not there to compete with EarthQuaker Devices Plumes KGR Collector Limited #46/100's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after J. Rockett Aqueous in the signal chain, where it won't crowd J. Rockett Aqueous — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Matthews Effects The Klone's transparent voice out front: TC Electronic Mimiq Doubler goes after Matthews Effects The Klone in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after T-Rex Hobo Drive in the signal chain, clear of T-Rex Hobo Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Xotic SD's transparent voice out front: TC Electronic Mimiq Doubler goes after Xotic SD in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after MXR Custom Comp in the signal chain, where it won't crowd MXR Custom Comp — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Free The Tone ODL-1 Overdriveland Standard in the signal chain, clear of Free The Tone ODL-1 Overdriveland Standard's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after DSM & Humboldt Electronics Sub-Atomic X-Over Cmos Bass Preamp in the signal chain, clear of DSM & Humboldt Electronics Sub-Atomic X-Over Cmos Bass Preamp's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after DSM Humboldt Dumblifier Overdrive Special in the signal chain, clear of DSM Humboldt Dumblifier Overdrive Special's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after EarthQuaker Devices Buffer/Preamp Total Tone Preservation in the signal chain, clear of EarthQuaker Devices Buffer/Preamp Total Tone Preservation's own gain stage

Comes later in the signal chain