Pedals that stack with the TC Electronic Mimiq Doubler

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Electronic Audio Experiments Halberd v2 in the signal chain, clear of Electronic Audio Experiments Halberd v2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Voodoo Lab Sparkle Drive in the signal chain — it's not there to compete with Voodoo Lab Sparkle Drive's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Jackson Audio Bloom V2 (Silver) in the signal chain, clear of Jackson Audio Bloom V2 (Silver)'s own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Free The Tone Overdriveland ODL-1-CS in the signal chain, clear of Free The Tone Overdriveland ODL-1-CS's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Attic FX JFET Boost in the signal chain — it's not there to compete with Attic FX JFET Boost's own transparent character

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Providence HBL-4 in the signal chain, clear of Providence HBL-4's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Greer Amps Sure Shot Clipping Boost Mini in the signal chain, clear of Greer Amps Sure Shot Clipping Boost Mini's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Dunlop MXR Booster Mini, model M293 in the signal chain, clear of Dunlop MXR Booster Mini, model M293's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run TC Electronic Mimiq Doubler after Browne Amplification The Fixer in the signal chain, clear of Browne Amplification The Fixer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after NuX Masamune in the signal chain, clear of NuX Masamune's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Shins Music Shin's Music Velvet Boost in the signal chain — it's not there to compete with Shins Music Shin's Music Velvet Boost's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after DOD 250 50th Anniversary Limited Edition in the signal chain — it's not there to compete with DOD 250 50th Anniversary Limited Edition's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Vertex Dynamic Distortion in the signal chain, clear of Vertex Dynamic Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Digitech DOD 410 Bifet Boost in the signal chain, clear of Digitech DOD 410 Bifet Boost's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Catalinbread Manx in the signal chain, clear of Catalinbread Manx's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Matthews Effects Aristocrat MOSFET Boost in the signal chain — it's not there to compete with Matthews Effects Aristocrat MOSFET Boost's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after DOD 250 Overdrive Preamp in the signal chain — it's not there to compete with DOD 250 Overdrive Preamp's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after DOD 250 Overdrive Preamp in the signal chain — it's not there to compete with DOD 250 Overdrive Preamp's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

TC Electronic Mimiq Doubler's mid-forward voice goes after Browne Amplification The Carbon V1 in the signal chain — it's not there to compete with Browne Amplification The Carbon V1's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Catalinbread SuperCharged OD in the signal chain, clear of Catalinbread SuperCharged OD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Origin Effects Deluxe55 Tweed Recreation in the signal chain, clear of Origin Effects Deluxe55 Tweed Recreation's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put TC Electronic Mimiq Doubler after Universal Audio Uafx Ruby '63 Top Boost Amplifier in the signal chain, clear of Universal Audio Uafx Ruby '63 Top Boost Amplifier's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep TC Electronic Mimiq Doubler after Catalinbread Epoch Boost Mini in the signal chain, clear of Catalinbread Epoch Boost Mini's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Blackstar LT-Boost's clean boost voice out front: TC Electronic Mimiq Doubler goes after Blackstar LT-Boost in the signal chain so its mid-forward voice doesn't muddy it

Comes earlier in the signal chain