Pedals that stack with the Walrus Audio Fable

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the Distortion+'s gritty gain, blurring rather than staying crisp.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Dyna Comp's added sustain gives the Fable's granular reverb textures a longer, steadier signal to stretch and blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the EQ-7's cutting equalization into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable after Electro-Harmonix Steel Leather Attack Expander in the signal chain, where it won't crowd Electro-Harmonix Steel Leather Attack Expander

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the SansAmp's analog-driven distortion into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Maestro PS-1A Phase Shifter's lush voice out front: Walrus Audio Fable goes after Maestro PS-1A Phase Shifter in the signal chain so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Placed after the Rangemaster, the Fable's granular reverb textures can bloom around the treble booster's brighter, boosted signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Lillian's subtle analog phasing follows the Fable's granular reverb textures for layered, ambient motion.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the Chelsea's bright, British-voiced drive into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures blur nicely under the Screamer's mid-forward drive, adding ambient depth without washing out the pick attack.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Way Huge Pork Loin in the signal chain, clear of Way Huge Pork Loin's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fable's glitchy, granular reverb closes out Compressor Plus's shimmering, sustained signal with texture and space.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Ashdown Double Shot in the signal chain, clear of Ashdown Double Shot's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after Xotic EP Booster in the signal chain — it's not there to compete with Xotic EP Booster's own clean boost character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR 108 Fuzz's silicon voice out front: Walrus Audio Fable goes after MXR 108 Fuzz in the signal chain so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fable's glitchy, granular reverb closes out Muse Driver's stage-ready drive with texture and space at the end of the chain.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's glitchy granular reverb gives the PA-1QA's hybrid, programmable EQ somewhere strange to shape into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the Galileo's bright, pickup-tuned boost into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep SolidGoldFX Imperial BC183's silicon voice out front: Walrus Audio Fable goes after SolidGoldFX Imperial BC183 in the signal chain so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Dirt Transmitter V2's bright voice out front: Walrus Audio Fable goes after EarthQuaker Devices Dirt Transmitter V2 in the signal chain so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Behringer BDI21 in the signal chain, clear of Behringer BDI21's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after Dunlop MXR M282 Dyna Comp Bass in the signal chain — it's not there to compete with Dunlop MXR M282 Dyna Comp Bass's own compressed character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the Triple Shot's driven midrange overdrive into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after IdiotBox Effects End of Line in the signal chain — it's not there to compete with IdiotBox Effects End of Line's own bright character

Comes earlier in the signal chain