Pedals that stack with the Walrus Audio Fable

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after Dunlop Cry Baby GCB-95 in the signal chain — it's not there to compete with Dunlop Cry Baby GCB-95's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Alexander Pedals Equilibrium DLX Vintage Modulation's harmonically rich voice out front: Walrus Audio Fable goes after Alexander Pedals Equilibrium DLX Vintage Modulation in the signal chain so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's glitchy granular reverb gives the Longsword's baritone clean boost somewhere strange to decay into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Fable after Mythos Air Lane Drive in the signal chain, clear of Mythos Air Lane Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the Carbon's warm, clean-boosted crunch into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Fable after Empress ParaEQ Bass Parametric EQ in the signal chain, where it won't crowd Empress ParaEQ Bass Parametric EQ

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's glitchy granular reverb gives the OD-1's transparent clipping somewhere strange to decay into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after MXR M234 Analog Chorus in the signal chain, where it won't crowd MXR M234 Analog Chorus

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after Creation Audio Labs Funkulator in the signal chain — it's not there to compete with Creation Audio Labs Funkulator's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the BE-OD's tight, hard-rock gain into ambient blur.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's glitchy granular reverb gives the PA-1QG's precise, upper-mid-focused EQ somewhere strange to shape into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Fable after Silktone Overdrive Plus in the signal chain, clear of Silktone Overdrive Plus's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Dirty Haggard Audio Mid-Band in the signal chain, where it won't crowd Dirty Haggard Audio Mid-Band

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after Horizon Devices Precision Drive in the signal chain — it's not there to compete with Horizon Devices Precision Drive's own harsh character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Feed the Fable's glitchy granular reverb with the Sabbra Cadabra's massive, dark overdrive and the wash gets real weight to decay into.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable after Electro-Harmonix ERD in the signal chain, clear of Electro-Harmonix ERD's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Fable after Boss GE-7 Equalizer in the signal chain, where it won't crowd Boss GE-7 Equalizer

Comes earlier in the signal chain

Phasing and granular reverb don't fight for the same space — run the Phase 90 alongside the Fable's glitchy stereo wash and each stays distinct.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after Boss TR-2 Tremolo in the signal chain — it's not there to compete with Boss TR-2 Tremolo's own smooth character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Xotic Effects SL Drive in the signal chain, clear of Xotic Effects SL Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Fable after Pete Cornish SS-3 in the signal chain, clear of Pete Cornish SS-3's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep MXR Timmy Overdrive's compressed voice out front: Walrus Audio Fable goes after MXR Timmy Overdrive in the signal chain so its smooth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Fable's glitchy, granular reverb closes out Tomahawk's cutting overdrive with texture and space at the end of the chain.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Fable's smooth voice goes after DOD YJM308 Preamp Overdrive in the signal chain — it's not there to compete with DOD YJM308 Preamp Overdrive's own full character

Comes earlier in the signal chain