Pedals that stack with the Walrus Audio Fable
← everything about the Walrus Audio Fable
All 121 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Black Country Customs Monolith
Black Country Customs
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Fable after Black Country Customs Monolith in the signal chain, clear of Black Country Customs Monolith's own gain stage
Comes earlier in the signal chain
Boss HM-2 Heavy Metal
Boss
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Fable after Boss HM-2 Heavy Metal in the signal chain, clear of Boss HM-2 Heavy Metal's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Small Stone
Electro-Harmonix
12% matchThe Small Stone's analog, vowel-like phase sweep follows the Fable's granular reverb textures for layered movement.
Comes earlier in the signal chain
Vemuram Jan Ray
Vemuram
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after Vemuram Jan Ray in the signal chain, clear of Vemuram Jan Ray's own gain stage
Comes earlier in the signal chain
AnalogMan Beano Boost
Analog Man
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Walrus Audio Fable's smooth voice goes after AnalogMan Beano Boost in the signal chain — it's not there to compete with AnalogMan Beano Boost's own bright character
Comes earlier in the signal chain
MXR Super Badass Distortion
MXR
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after MXR Super Badass Distortion in the signal chain, clear of MXR Super Badass Distortion's own gain stage
Comes earlier in the signal chain
Dean Markley Overlord
Dean Markley
12% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Walrus Audio Fable's smooth voice goes after Dean Markley Overlord in the signal chain — it's not there to compete with Dean Markley Overlord's own bright character
Comes earlier in the signal chain
Dunlop MXR Timmy Overdrive, sold as Dunlop CSP027
Dunlop
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Dunlop MXR Timmy Overdrive, sold as Dunlop CSP027's transparent voice out front: Walrus Audio Fable goes after Dunlop MXR Timmy Overdrive, sold as Dunlop CSP027 in the signal chain so its smooth voice doesn't muddy it
Comes earlier in the signal chain
EarthQuaker Devices '- Speaker Cranker
EarthQuaker Devices
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after EarthQuaker Devices '- Speaker Cranker in the signal chain, clear of EarthQuaker Devices '- Speaker Cranker's own gain stage
Comes earlier in the signal chain
TC Electronic Stereo Chorus Flanger
TC Electronic
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Walrus Audio Fable's smooth voice goes after TC Electronic Stereo Chorus Flanger in the signal chain — it's not there to compete with TC Electronic Stereo Chorus Flanger's own analog warmth character
Comes earlier in the signal chain
Origin Effects M-EQ Driver
Origin Effects
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after Origin Effects M-EQ Driver in the signal chain, clear of Origin Effects M-EQ Driver's own gain stage
Comes earlier in the signal chain
Xotic BB Preamp
Xotic
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Fable after Xotic BB Preamp in the signal chain, clear of Xotic BB Preamp's own gain stage
Comes earlier in the signal chain
Fulltone Fulldrive 2 MOSFET
Fulltone
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Fulltone Fulldrive 2 MOSFET's transparent voice out front: Walrus Audio Fable goes after Fulltone Fulldrive 2 MOSFET in the signal chain so its smooth voice doesn't muddy it
Comes earlier in the signal chain
Wampler Pedals Tweed '57
Wampler
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Fable after Wampler Pedals Tweed '57 in the signal chain, clear of Wampler Pedals Tweed '57's own gain stage
Comes earlier in the signal chain
Dunlop Dimebag Cry Baby Wah
Dunlop
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Fable after Dunlop Dimebag Cry Baby Wah in the signal chain, where it won't crowd Dunlop Dimebag Cry Baby Wah
Comes earlier in the signal chain
Caroline Guitar Company Crom Hi-Gain Fuzzstortion
Caroline Guitar Company
11% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after Caroline Guitar Company Crom Hi-Gain Fuzzstortion in the signal chain, clear of Caroline Guitar Company Crom Hi-Gain Fuzzstortion's own gain stage
Comes earlier in the signal chain
Fender Hammertone Metal
Fender
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after Fender Hammertone Metal in the signal chain, clear of Fender Hammertone Metal's own gain stage
Comes earlier in the signal chain
Donner Dumbal Drive
Donner
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Fable after Donner Dumbal Drive in the signal chain, clear of Donner Dumbal Drive's own gain stage
Comes earlier in the signal chain
Wampler Paisley Drive
Wampler
10% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Fable after Wampler Paisley Drive in the signal chain, clear of Wampler Paisley Drive's own gain stage
Comes earlier in the signal chain
Dunlop WHE207 Way Huge Green Rhino Overdrive
Dunlop
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after Dunlop WHE207 Way Huge Green Rhino Overdrive in the signal chain, clear of Dunlop WHE207 Way Huge Green Rhino Overdrive's own gain stage
Comes earlier in the signal chain
Mesa Boogie Flux-Five
Mesa Boogie
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Fable after Mesa Boogie Flux-Five in the signal chain, clear of Mesa Boogie Flux-Five's own gain stage
Comes earlier in the signal chain
JAM Pedals TubeDreamer MK2
Jam Pedals
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Walrus Audio Fable after JAM Pedals TubeDreamer MK2 in the signal chain, clear of JAM Pedals TubeDreamer MK2's own gain stage
Comes earlier in the signal chain
Maestro Orbit
Maestro
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Put Walrus Audio Fable after Maestro Orbit in the signal chain, where it won't crowd Maestro Orbit
Comes earlier in the signal chain
JHS Haunting Mids
JHS Pedals
9% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Run Walrus Audio Fable after JHS Haunting Mids in the signal chain, where it won't crowd JHS Haunting Mids
Comes earlier in the signal chain