Pedals that stack with the Walrus Audio Lillian

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Xotic AC Booster in the signal chain, clear of Xotic AC Booster's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Belle Drive Mini's transparent voice out front: Walrus Audio Lillian goes after Wampler Belle Drive Mini in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Boss RE-202 Space Echo in the signal chain, where it won't crowd Boss RE-202 Space Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Dunlop MXR M299 Carbon Copy Mini in the signal chain, where it won't crowd Dunlop MXR M299 Carbon Copy Mini — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Digitech Dod-Lookingglass in the signal chain, clear of Digitech Dod-Lookingglass's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Xotic AC Plus in the signal chain — it's not there to compete with Xotic AC Plus's own high headroom character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after MXR Mdu JHM8 in the signal chain — it's not there to compete with MXR Mdu JHM8's own germanium character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Electro-Harmonix Nano Deluxe MM in the signal chain — it's not there to compete with Electro-Harmonix Nano Deluxe MM's own warm character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Rowin LEF-315 Dumbler Amp Sim's smooth voice out front: Walrus Audio Lillian goes after Rowin LEF-315 Dumbler Amp Sim in the signal chain so its bright voice doesn't muddy it

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Boss RE-2 Space Echo in the signal chain, where it won't crowd Boss RE-2 Space Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Tech 21 Screaming in the signal chain, clear of Tech 21 Screaming's own gain stage

Comes earlier in the signal chain