Pedals that stack with the Walrus Audio Lillian

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Fender Hammertone Delay in the signal chain, where it won't crowd Fender Hammertone Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Walrus Audio Slö in the signal chain, where it won't crowd Walrus Audio Slö — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Walrus Audio Slöer Stereo Reverb in the signal chain, where it won't crowd Walrus Audio Slöer Stereo Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Beetronics Overhive Medium Gain Overdrive in the signal chain — it's not there to compete with Beetronics Overhive Medium Gain Overdrive's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Mooer woodverb's warm voice out front: Walrus Audio Lillian goes after Mooer woodverb in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Eccos Neo-Vintage Tape Delay's analog warmth voice out front: Walrus Audio Lillian goes after Keeley Eccos Neo-Vintage Tape Delay in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Fundamental Ambient's ambient voice out front: Walrus Audio Lillian goes after Walrus Audio Fundamental Ambient in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after TC Electronic Gauss Tape Echo in the signal chain, where it won't crowd TC Electronic Gauss Tape Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Strymon Olivera Vintage Oil Can Echo in the signal chain, where it won't crowd Strymon Olivera Vintage Oil Can Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Strymon Volante in the signal chain, where it won't crowd Strymon Volante — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Spaceman Mercury IV Germanium Harmonic Boost in the signal chain — it's not there to compete with Spaceman Mercury IV Germanium Harmonic Boost's own germanium character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Mad Professor Big Tweedy Drive in the signal chain — it's not there to compete with Mad Professor Big Tweedy Drive's own warm character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Universal Audio Golden Reverberator in the signal chain, where it won't crowd Universal Audio Golden Reverberator — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after One Control Lingonberry Overdrive in the signal chain, clear of One Control Lingonberry Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Boss DD-8 Digital Delay in the signal chain, where it won't crowd Boss DD-8 Digital Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after T-Rex Reptile Delay in the signal chain, where it won't crowd T-Rex Reptile Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Caroline Guitar Company Icarus V2 in the signal chain, clear of Caroline Guitar Company Icarus V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Univox UD-50 Uni-Drive in the signal chain, clear of Univox UD-50 Uni-Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Catalinbread Teaser Stallion in the signal chain, clear of Catalinbread Teaser Stallion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after DigiTech DOD Overdrive Preamp 250 in the signal chain — it's not there to compete with DigiTech DOD Overdrive Preamp 250's own transparent character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Beetronics OV-LE-Uva in the signal chain — it's not there to compete with Beetronics OV-LE-Uva's own medium gain character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Electro-Harmonix Slap-Back Echo in the signal chain, where it won't crowd Electro-Harmonix Slap-Back Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Empress Germ Drive in the signal chain, clear of Empress Germ Drive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Vemuram "Spiritone Medium Gain Overdrive in the signal chain — it's not there to compete with Vemuram "Spiritone Medium Gain Overdrive's own medium gain character

Comes earlier in the signal chain