Pedals that stack with the Walrus Audio Lillian

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Pedals JHS Mod Shop Deluxe Memory Boy's analog warmth voice out front: Walrus Audio Lillian goes after JHS Pedals JHS Mod Shop Deluxe Memory Boy in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Keeley Eccos Tape Flanged Delay in the signal chain — it's not there to compete with Keeley Eccos Tape Flanged Delay's own dark character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Mr. Black Bloodmoon in the signal chain — it's not there to compete with Mr. Black Bloodmoon's own dark character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep EarthQuaker Devices Ghost Echo's slapback voice out front: Walrus Audio Lillian goes after EarthQuaker Devices Ghost Echo in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after NuX Damp Reverb in the signal chain, where it won't crowd NuX Damp Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after EarthQuaker Devices Blumes Bass Overdrive in the signal chain, clear of EarthQuaker Devices Blumes Bass Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Strymon Brigadier dBucket Delay in the signal chain, where it won't crowd Strymon Brigadier dBucket Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after Pigtronix Octava in the signal chain — it's not there to compete with Pigtronix Octava's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JHS Pedals JHS 3 Series Tape Delay's slapback voice out front: Walrus Audio Lillian goes after JHS Pedals JHS 3 Series Tape Delay in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Beetronics Overhive Custom Skulls's medium gain voice out front: Walrus Audio Lillian goes after Beetronics Overhive Custom Skulls in the signal chain so its bright voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Add the Lillian's modern, bright phase sweep on top of the Shanks' natural, touch-sensitive drive for subtle movement.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after JHS Lucky Cat Delay limited edition in the signal chain, where it won't crowd JHS Lucky Cat Delay limited edition — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Alexander Pedals Now We Are Ghosts Reverb in the signal chain, where it won't crowd Alexander Pedals Now We Are Ghosts Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Alexander Pedals Riff Instant Tone Sanitizer in the signal chain, clear of Alexander Pedals Riff Instant Tone Sanitizer's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Caverns V2's analog warmth voice out front: Walrus Audio Lillian goes after Keeley Caverns V2 in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Wampler Faux Tape Echo in the signal chain, where it won't crowd Wampler Faux Tape Echo — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after Old Blood Noise Endeavors Fault V1 in the signal chain, clear of Old Blood Noise Endeavors Fault V1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Red Panda Raster 2's pristine voice out front: Walrus Audio Lillian goes after Red Panda Raster 2 in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Let the Lillian's subtle analog phasing trail the Simble's warm breakup for gentle movement on top of the drive.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Walrus Audio Lillian after Xotic Bass BB Preamp V1.5 in the signal chain, clear of Xotic Bass BB Preamp V1.5's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Old Blood Noise Endeavors Procession V2's ambient voice out front: Walrus Audio Lillian goes after Old Blood Noise Endeavors Procession V2 in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Walrus Audio Lillian's bright voice goes after JHS Overdrive/Preamp in the signal chain — it's not there to compete with JHS Overdrive/Preamp's own saturated character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Walrus Audio Lillian after Chase Bliss Dark World in the signal chain, where it won't crowd Chase Bliss Dark World — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Chase Bliss Thermae's dark voice out front: Walrus Audio Lillian goes after Chase Bliss Thermae in the signal chain so its bright voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain