Pedals that stack with the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
← everything about the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
All 152 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Sonicake Rude Mouse Distortion
Sonicake
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Sonicake Rude Mouse Distortion in the signal chain, clear of Sonicake Rude Mouse Distortion's own gain stage
Comes earlier in the signal chain
Wells Amp NYC 8 Ball
pedal
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Wells Amp NYC 8 Ball's fuzzy voice out front: Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 goes after Wells Amp NYC 8 Ball in the signal chain so its pristine voice doesn't muddy it
Comes earlier in the signal chain
Spermophilus Effects GasMask
Spermophilus Effects
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Spermophilus Effects GasMask in the signal chain, clear of Spermophilus Effects GasMask's own gain stage
Comes earlier in the signal chain
Dunlop Screamadelica Fuzz Face Distortion
Dunlop
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Dunlop Screamadelica Fuzz Face Distortion's germanium voice out front: Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 goes after Dunlop Screamadelica Fuzz Face Distortion in the signal chain so its pristine voice doesn't muddy it
Comes earlier in the signal chain
Tone City Matcha Cream
Tone City
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Tone City Matcha Cream in the signal chain, clear of Tone City Matcha Cream's own gain stage
Comes earlier in the signal chain
ProCo Sterling Vermin
Proco
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after ProCo Sterling Vermin in the signal chain, clear of ProCo Sterling Vermin's own gain stage
Comes earlier in the signal chain
Electro-Harmonix J Mascis Ram's Head Big Muff
Electro-Harmonix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Electro-Harmonix J Mascis Ram's Head Big Muff in the signal chain, clear of Electro-Harmonix J Mascis Ram's Head Big Muff's own gain stage
Comes earlier in the signal chain
EarthQuaker Devices Hoof Germanium
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after EarthQuaker Devices Hoof Germanium in the signal chain, clear of EarthQuaker Devices Hoof Germanium's own gain stage
Comes earlier in the signal chain
Tru-Fi Floyd Fuzz
Tru Fi
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Walrus Audio Mako D1 High-Fidelity Stereo Delay V1's pristine voice goes after Tru-Fi Floyd Fuzz in the signal chain — it's not there to compete with Tru-Fi Floyd Fuzz's own fuzzy character
Comes earlier in the signal chain
EarthQuaker Devices Dirt Transmitter Rancho de la Luna
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after EarthQuaker Devices Dirt Transmitter Rancho de la Luna in the signal chain, clear of EarthQuaker Devices Dirt Transmitter Rancho de la Luna's own gain stage
Comes earlier in the signal chain
Walrus Audio Fundamental Series Fuzz
Walrus Audio
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Walrus Audio Fundamental Series Fuzz in the signal chain, clear of Walrus Audio Fundamental Series Fuzz's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Satisfaction
Electro-Harmonix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Electro-Harmonix Satisfaction's germanium voice out front: Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 goes after Electro-Harmonix Satisfaction in the signal chain so its pristine voice doesn't muddy it
Comes earlier in the signal chain
Wren and Cuff Tri-Pie '70
Wren And Cuff
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Wren and Cuff Tri-Pie '70 in the signal chain, clear of Wren and Cuff Tri-Pie '70's own gain stage
Comes earlier in the signal chain
Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz
Dunlop
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz in the signal chain, clear of Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz's own gain stage
Comes earlier in the signal chain
Tech 21 Bass Boost Fuzz Metallic Analog Bass
Tech 21
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Tech 21 Bass Boost Fuzz Metallic Analog Bass in the signal chain, clear of Tech 21 Bass Boost Fuzz Metallic Analog Bass's own gain stage
Comes earlier in the signal chain
EarthQuaker Devices Chelsea Low End
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after EarthQuaker Devices Chelsea Low End in the signal chain, clear of EarthQuaker Devices Chelsea Low End's own gain stage
Comes earlier in the signal chain
EarthQuaker Devices Chelsea V1 Low End Fuzz Driver
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep EarthQuaker Devices Chelsea V1 Low End Fuzz Driver's fuzzy voice out front: Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 goes after EarthQuaker Devices Chelsea V1 Low End Fuzz Driver in the signal chain so its pristine voice doesn't muddy it
Comes earlier in the signal chain
Red Witch Opia
Red Witch
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Red Witch Opia in the signal chain, clear of Red Witch Opia's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Glove
Electro-Harmonix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Electro-Harmonix Glove's op-amp voice out front: Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 goes after Electro-Harmonix Glove in the signal chain so its pristine voice doesn't muddy it
Comes earlier in the signal chain
Wren and Cuff Fade Font '94
Wren And Cuff
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Walrus Audio Mako D1 High-Fidelity Stereo Delay V1's pristine voice goes after Wren and Cuff Fade Font '94 in the signal chain — it's not there to compete with Wren and Cuff Fade Font '94's own smooth character
Comes earlier in the signal chain
Wren and Cuff Tall Font Russian
Wren And Cuff
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Wren and Cuff Tall Font Russian in the signal chain, clear of Wren and Cuff Tall Font Russian's own gain stage
Comes earlier in the signal chain
Fuzzrocious 420 Fuzz
Fuzzrocious
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep Walrus Audio Mako D1 High-Fidelity Stereo Delay V1 after Fuzzrocious 420 Fuzz in the signal chain, clear of Fuzzrocious 420 Fuzz's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Bass Big Muff Pi
Electro-Harmonix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Walrus Audio Mako D1 High-Fidelity Stereo Delay V1's pristine voice goes after Electro-Harmonix Bass Big Muff Pi in the signal chain — it's not there to compete with Electro-Harmonix Bass Big Muff Pi's own fuzzy character
Comes earlier in the signal chain
Fulltone '69 MkII Fuzz
Fulltone
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Walrus Audio Mako D1 High-Fidelity Stereo Delay V1's pristine voice goes after Fulltone '69 MkII Fuzz in the signal chain — it's not there to compete with Fulltone '69 MkII Fuzz's own fuzzy character
Comes earlier in the signal chain
Related
- everything about the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
- alternatives to the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
- gear with a similar tone character to the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
- pedals like the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
- what pairs with the Walrus Audio Mako D1 High-Fidelity Stereo Delay V1
- best delay for ambient
- Walrus Audio gear
- most popular pedals