Pedals that stack with the Wampler Cory Wong

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Catalinbread Dreamcoat Skewer Special Edition Box's own glassy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Boss OD-3 Overdrive leans toward crunchy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Russian Big Muff Pi brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Caroline Guitar Company Crom brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Tech 21 California Overdrive's own high gain character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What ProCo Fat Rat brings here leans toward full — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Footloose Effects Red Light brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Boss FZ-3 Fuzz's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Fender Hammertone Metal's own high gain character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Behringer SF300 Super Fuzz's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Keeley Electronics Katana Boost leans toward high headroom, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Fender Hammertone Overdrive leans toward compressed, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Donner Dumbal Drive's own smooth character is the real reason this is worth trying

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Boss DD-2 Digital Delay after Wampler Cory Wong in the signal chain, where it won't crowd Wampler Cory Wong — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

Run Caroline Guitar Company Meteore after Wampler Cory Wong in the signal chain, where it won't crowd Wampler Cory Wong — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain