Pedals that stack with the Wampler Cory Wong

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

NuX Drive Force's own high gain character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz leans toward octave, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dunlop JHMS2 Hendrix Shrine Series Octavio Fuzz leans toward octave, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

J. Rockett Melody Overdrive/EQ's own crunchy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Electro-Harmonix EH-1335/EH-3075 Hot Tubes brings here leans toward saturated — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Tone City Bad Horse leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Dunlop AT95 Akira Takasaki Cry Baby Fuzz Wah brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Walrus Audio Iron Horse V3 leans toward high gain, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Keeley Moon leans toward op-amp, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Whirlwind Rochester Gold Box's own high gain character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Universal Audio Uafx Anti 1992 High Gain Amp brings here leans toward high gain — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What ProCo Lil Rat brings here leans toward aggressive — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Fulltone Fulldrive 2 MOSFET brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

ZVEX Fat Fuzz Factory leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Black Cat Pedals Super Fuzz's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's punchy optical compression evens dynamics before the Odin's heavy doom fuzz stage.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Benson Amps Preamp's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Cory Wong's optical compression ahead of Gorilla Warfare keeps picking dynamics tight before the pedal's own sludgy distortion.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Fuzzrocious Grey Stache's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Wampler Belle's own medium gain character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Electro-Harmonix Ram's Head Big Muff's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Electro-Harmonix J Mascis Ram's Head Big Muff brings here leans toward fuzzy — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the Hoof Reaper's own hybrid germanium-silicon fuzz.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Pigtronix Disnortion Micro's own fuzzy character is the real reason this is worth trying

Comes later in the signal chain