Pedals that stack with the Wampler Cory Wong

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's punchy optical compression evens out the Giygas's complex fuzz attack before it saturates, keeping the octave layers distinct.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's punchy optical compression evens dynamics before the Berserk's aggressive stoner fuzz saturates further.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Cory Wong's optical compression ahead of the IR-X keeps funk rhythm parts even before the preamp's boost stage.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Ibanez TS9DX Turbo Tube Screamer's own full character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Source Audio Soundblox Multiwave Distortion brings here leans toward pristine — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Crowther Double Hot Cake brings here leans toward high gain — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Dr. Scientist Frazz Dazzler leans toward fuzzy, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Boss DS-1 Distortion (Japan, 1980s) leans toward sustaining, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR ZW-44 Berzerker Overdrive leans toward aggressive, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Electro-Harmonix Pocket Metal Muff's own high gain character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Tech 21 SansAmp Classic brings here leans toward high gain — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the Hizumitas' own gritty, Muff-voiced fuzz.

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Suhr Riot Mini Black Edition's own aggressive character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

MXR Eric Gales Raw Dawg's own high gain character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

What Boss HM-3 Hyper Metal brings here leans toward full — that's worth building a pairing around

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Aria Lil' RAT Distortion leans toward full, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Horizon Devices Apex Preamp's own high gain character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Vox Joe Satriani Satchurator brings here leans toward aggressive — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)

JHS Pedals Morning Glory V4 leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

Run mid-forward into Greer Black Mountain for more fuzzy on top

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

MXR Super Badass Distortion's own crunchy character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

IVY Gain Machine TPD-1 Standard leans toward edge of breakup, and that's a real, usable character to pair with

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

Fulltone Custom Shop OCD Gold Standard LTD's own aggressive character is the real reason this is worth trying

Comes later in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

What Dunlop MXR M94SE Super Badass Distortion brings here leans toward high gain — that's worth building a pairing around

Comes later in the signal chain