Pedals that stack with the Wampler Nirvana Chorus

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after Electro-Harmonix Big Muff Pi with Tone Wicker in the signal chain, clear of Electro-Harmonix Big Muff Pi with Tone Wicker's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after Ashdown James LoMenzo Mega Drive in the signal chain, clear of Ashdown James LoMenzo Mega Drive's own gain stage

Comes earlier in the signal chain

Wren and Cuff Box of War Small Foot Fuzz's own fuzzy character is the real reason this is worth trying

Comes earlier in the signal chain

What Dr. Scientist Frazz Dazzler brings here leans toward fuzzy — that's worth building a pairing around

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Wampler Nirvana Chorus after Wren and Cuff J Mascis Garbage Face Fuzz in the signal chain, clear of Wren and Cuff J Mascis Garbage Face Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Wampler Nirvana Chorus's warm voice goes after Free The Tone Ambi Space in the signal chain — it's not there to compete with Free The Tone Ambi Space's own lush character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after Dallas Tuxedo 1959 in the signal chain, clear of Dallas Tuxedo 1959's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after Strymon NightSky in the signal chain, where it won't crowd Strymon NightSky — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Wampler Nirvana Chorus after Hotone A Station in the signal chain, clear of Hotone A Station's own gain stage

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Wampler Nirvana Chorus after Catalinbread Naga Viper MkII in the signal chain, clear of Catalinbread Naga Viper MkII's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Wampler Nirvana Chorus after Joyo British metal in the signal chain, clear of Joyo British metal's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Wampler Nirvana Chorus's warm voice goes after Universal Audio Uafx Orion in the signal chain — it's not there to compete with Universal Audio Uafx Orion's own analog warmth character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Wampler Nirvana Chorus's warm voice goes after Keeley Realizer Reverberator Chromalux 2K24 Custom Shop in the signal chain — it's not there to compete with Keeley Realizer Reverberator Chromalux 2K24 Custom Shop's own bright character — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after Universal Audio Evermore Delay in the signal chain, where it won't crowd Universal Audio Evermore Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Wampler Nirvana Chorus after Free The Tone Flight Time FT-2Y Delay in the signal chain, where it won't crowd Free The Tone Flight Time FT-2Y Delay — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Wampler Nirvana Chorus after Alexander Golden Summer Reverb in the signal chain, where it won't crowd Alexander Golden Summer Reverb — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Wampler Nirvana Chorus's warm voice goes after Boss DS-1W Waza Craft Distortion in the signal chain — it's not there to compete with Boss DS-1W Waza Craft Distortion's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Wampler Nirvana Chorus after Tech 21 SansAmp Oxford in the signal chain, clear of Tech 21 SansAmp Oxford's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Carl Martin Contour's bright voice out front: Wampler Nirvana Chorus goes after Carl Martin Contour in the signal chain so its warm voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Dawner Prince Boonar after Wampler Nirvana Chorus in the signal chain, where it won't crowd Wampler Nirvana Chorus — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Wampler Nirvana Chorus's warm voice out front: Neunaber Wet Mono Reverb Pedal goes after Wampler Nirvana Chorus in the signal chain so its pristine voice doesn't muddy it — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain