Pedals that stack with the Aguilar Tone Hammer 500 Bass Amp 30th
← everything about the Aguilar Tone Hammer 500 Bass Amp 30th
All 7 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
EarthQuaker Devices Arrows
EarthQuaker Devices
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
The Arrows' subtle, frequency-tuned boost pushes the Tone Hammer 500's warm, jazz-voiced midrange into real presence.
Goes in front of the amp
Catalinbread Galileo
Catalinbread
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
The Galileo's bright, pickup-voiced boost cuts through the Tone Hammer 500's warm, jazz-voiced midrange rather than just adding more gain.
Goes in front of the amp
Catalinbread Formula 55
Catalinbread
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)
Catalinbread Formula 55's bright balances out the dark tone
Goes in front of the amp
Orange King-Comp
Orange
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)
Run the King-Comp before the Tone Hammer 500 for chiming, treble-forward compression before that warm, jazz-voiced midrange reacts.
Goes in front of the amp
Walrus Audio Lillian
Walrus Audio
19% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Aguilar Tone Hammer 500 Bass Amp 30th's warm voice out front: Walrus Audio Lillian goes after Aguilar Tone Hammer 500 Bass Amp 30th in the signal chain so its bright voice doesn't muddy it
Goes in front of the amp
Chase Bliss Automatone CXM 1978
Chase Bliss Audio
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Chase Bliss Automatone CXM 1978's pristine voice goes in Aguilar Tone Hammer 500 Bass Amp 30th's effects loop — it's not there to compete with Aguilar Tone Hammer 500 Bass Amp 30th's own warm character — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
Boss RV-3 Digital Reverb/Delay
Boss
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
Keep Boss RV-3 Digital Reverb/Delay in Aguilar Tone Hammer 500 Bass Amp 30th's effects loop, clear of Aguilar Tone Hammer 500 Bass Amp 30th's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Sits in the amp's effects loop
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