Pedals that stack with the Airis Effects 51-Filthy

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

The RevivalDrive's dynamic, tube-compressed response stacks with the 51-Filthy's tight, boutique metal distortion.

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

The Pentatone's reliable direct-recording preamp stacks with the 51-Filthy's own tight, metal-voiced distortion.

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Airis Effects 51-Filthy takes that saturated character and pushes it toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight

Airis Effects 51-Filthy leans toward tight, and that's a real, usable character to pair with

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Klon Centaur pushes a high gain tone toward mid-forward

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes earlier in the signal chain

Airis Effects 51-Filthy leans toward tight, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

What Airis Effects 51-Filthy brings here leans toward tight — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Airis Effects 51-Filthy pushes a saturated tone toward tight

Comes earlier in the signal chain

Airis Effects 51-Filthy leans toward tight, and that's a real, usable character to pair with

Comes earlier in the signal chain

What Airis Effects 51-Filthy brings here leans toward tight — that's worth building a pairing around

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Feed a saturated signal into Airis Effects 51-Filthy and it comes out closer to tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Airis Effects 51-Filthy takes that saturated character and pushes it toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Airis Effects 51-Filthy pushes a saturated tone toward tight

Comes earlier in the signal chain

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's punchy optical compression evens out pick attack before it hits the 51-Filthy's tight, high-gain distortion.

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Airis Effects 51-Filthy takes that saturated character and pushes it toward tight

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (saturated → tight)

Stack Airis Effects 51-Filthy on top and a saturated tone tightens toward tight

Comes earlier in the signal chain