Pedals that stack with the Behringer Chorus Symphony

MXR M296 Classic 108 Fuzz Mini

Put Behringer Chorus Symphony after MXR M296 Classic 108 Fuzz Mini in the signal chain, clear of MXR M296 Classic 108 Fuzz Mini's own gain stage

Boss DS-1X

Run Behringer Chorus Symphony after Boss DS-1X in the signal chain, clear of Boss DS-1X's own gain stage

Boss ML-2

Behringer Chorus Symphony's smooth voice goes after Boss ML-2 in the signal chain — it's not there to compete with Boss ML-2's own transparent character

Catalinbread Sabbra Cadabra Blackout

Keep Behringer Chorus Symphony after Catalinbread Sabbra Cadabra Blackout in the signal chain, clear of Catalinbread Sabbra Cadabra Blackout's own gain stage

Laney Digbeth DB-Pre

Keep Behringer Chorus Symphony after Laney Digbeth DB-Pre in the signal chain, clear of Laney Digbeth DB-Pre's own gain stage

Maxon OD-9 Pro+

Keep Behringer Chorus Symphony after Maxon OD-9 Pro+ in the signal chain, clear of Maxon OD-9 Pro+'s own gain stage

Pigtronix PHI Echolution Delay

Keep Behringer Chorus Symphony after Pigtronix PHI Echolution Delay in the signal chain, clear of Pigtronix PHI Echolution Delay's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

MXR M69P Prime Distortion

Run Behringer Chorus Symphony after MXR M69P Prime Distortion in the signal chain, clear of MXR M69P Prime Distortion's own gain stage

JHS Ross Distortion

Behringer Chorus Symphony's smooth voice goes after JHS Ross Distortion in the signal chain — it's not there to compete with JHS Ross Distortion's own bright character

Strymon El Capistan dTape Echo

Keep Behringer Chorus Symphony after Strymon El Capistan dTape Echo in the signal chain, clear of Strymon El Capistan dTape Echo's own gain stage — goes in the amp's FX loop (or last, into a clean amp)

Vox CT-03BT

Behringer Chorus Symphony's smooth voice goes after Vox CT-03BT in the signal chain — it's not there to compete with Vox CT-03BT's own bright character

Vox VTB-1 Treble Booster

Keep Vox VTB-1 Treble Booster's bright voice out front: Behringer Chorus Symphony goes after Vox VTB-1 Treble Booster in the signal chain so its smooth voice doesn't muddy it

Mad Professor Mad-Rbo

Run Behringer Chorus Symphony after Mad Professor Mad-Rbo in the signal chain, clear of Mad Professor Mad-Rbo's own gain stage

Revv Dirt Dog (Joey Landreth Signature Overdrive)

Keep Behringer Chorus Symphony after Revv Dirt Dog (Joey Landreth Signature Overdrive) in the signal chain, clear of Revv Dirt Dog (Joey Landreth Signature Overdrive)'s own gain stage

Ashdown Pro-FX Two-Band Boost

Keep Behringer Chorus Symphony after Ashdown Pro-FX Two-Band Boost in the signal chain, clear of Ashdown Pro-FX Two-Band Boost's own gain stage

MXR Prime Distortion

Behringer Chorus Symphony's smooth voice goes after MXR Prime Distortion in the signal chain — it's not there to compete with MXR Prime Distortion's own bright character

Fender Angry Fuzz

Behringer Chorus Symphony's smooth voice goes after Fender Angry Fuzz in the signal chain — it's not there to compete with Fender Angry Fuzz's own bright character

Aguilar OBP-2TK

Layer the Chorus Symphony's liquid, warm modulation after the OBP-2TK's own boosted, mid-scooped bass EQ for width.

Crazy Tube Circuits Limelight

Keep Behringer Chorus Symphony after Crazy Tube Circuits Limelight in the signal chain, clear of Crazy Tube Circuits Limelight's own gain stage

MXR ZW-44 Zakk Wylde Overdrive

Run Behringer Chorus Symphony after MXR ZW-44 Zakk Wylde Overdrive in the signal chain, clear of MXR ZW-44 Zakk Wylde Overdrive's own gain stage

Alexander Golden Summer Reverb

Run the Chorus Symphony's liquid, warm modulation after the Golden Summer's shimmering, octave-laced reverb, not before, or the chorus just thickens an already-lush wash. — goes in the amp's FX loop (or last, into a clean amp)

Boss FZ-5 Fuzz

Put Behringer Chorus Symphony after Boss FZ-5 Fuzz in the signal chain, clear of Boss FZ-5 Fuzz's own gain stage

MXR Distortion II

Keep Behringer Chorus Symphony after MXR Distortion II in the signal chain, clear of MXR Distortion II's own gain stage

Dunlop PSF30

Keep Dunlop PSF30's aggressive voice out front: Behringer Chorus Symphony goes after Dunlop PSF30 in the signal chain so its smooth voice doesn't muddy it