Pedals that stack with the Browne Amplification Gritador

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

The Gritador's asymmetrical midrange clipping tightens the Odin's heavy doom fuzz ahead of it.

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)

EarthQuaker Devices Dirt Transmitter layers fuzzy onto an already mid-forward signal

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador pushes a scooped tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Browne Amplification Gritador on top and a scooped tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

What Browne Amplification Gritador brings here leans toward full — that's worth building a pairing around

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward

Comes earlier in the signal chain

The POG's complex, synth-like octave layers give the Gritador's asymmetrical clipping dense harmonic content to divide.

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Browne Amplification Gritador on top and a scooped tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador pushes a scooped tone toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Browne Amplification Gritador on top and a scooped tone tightens toward mid-forward

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Phase 90's classic-rock sweep follows the Gritador's asymmetrical midrange clipping for a defined swirl.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Stack Browne Amplification Gritador on top and a scooped tone tightens toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Browne Amplification Gritador takes that scooped character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Browne Amplification Gritador pushes a crunchy tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Browne Amplification Gritador takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Browne Amplification Gritador takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Browne Amplification Gritador and it comes out closer to mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Push the IR-X's studio-ready, high-gain preamp with the Gritador's own asymmetrical TS-style clipping and the two compound into real weight.

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Browne Amplification Gritador and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Browne Amplification Gritador on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain