Pedals that stack with the Cusack Music Screamer

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

Cusack Music Screamer pushes a edge of breakup tone toward mid-forward

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run the Phase 90's classic sweep after the Screamer's TS-voiced, bluesy drive and the modulation has real body to color.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Cusack Music Screamer takes that scooped character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Stack Cusack Music Screamer on top and a crunchy tone tightens toward mid-forward

Cusack Music Screamer leans toward mid-forward, and that's a real, usable character to pair with — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)

Cusack Music Screamer takes that crunchy character and pushes it toward mid-forward

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes later in the signal chain

Feed a edge of breakup signal into Cusack Music Screamer and it comes out closer to mid-forward

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)

Feed a scooped signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer pushes a high gain tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer pushes a high gain tone toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Cusack Music Screamer on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Cusack Music Screamer and it comes out closer to mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer takes that high gain character and pushes it toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Feed a high gain signal into Cusack Music Screamer and it comes out closer to mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Cusack Music Screamer on top and a high gain tone tightens toward mid-forward

Comes later in the signal chain

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Cusack Music Screamer on top and a high gain tone tightens toward mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer pushes a high gain tone toward mid-forward

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Cusack Music Screamer pushes a high gain tone toward mid-forward

Comes later in the signal chain