Pedals that stack with the Fender Vibrolux 6G11
← everything about the Fender Vibrolux 6G11
All 157 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
ThorpyFX The Field Marshal Fuzz
ThorpyFX
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Fender Vibrolux 6G11 in front and the fuzzy tone leans further toward modulated
Goes in front of the amp
Keeley Fuzz Bender
Keeley
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Fender Vibrolux 6G11 in front and the fuzzy tone leans further toward modulated
Goes in front of the amp
Caline CP-11 Puffer Fuzz
Caline
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Dunlop Cry Baby Daredevil Fuzz Wah DD95FW
Cry Baby
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run fuzzy into Fender Vibrolux 6G11 for more modulated on top
Goes in front of the amp
Dunlop Cry Baby Daredevil Fuzz Wah DD95FW
Dunlop
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run fuzzy into Fender Vibrolux 6G11 for more modulated on top
Goes in front of the amp
Meris Ottobit Jr.
Meris
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
The Vibrolux's sweet, classic Fender vibrato tone gives the Ottobit's glitchy, bitcrushed synth filter a genuinely vintage amp voice to color.
Goes in front of the amp
Wren and Cuff Gold Comp
Wren And Cuff
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
What Fender Vibrolux 6G11 brings here leans toward modulated — that's worth building a pairing around
Goes in front of the amp
Dunlop Fuzz Face Mini Germanium
Dunlop
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 stacks modulated on top of the fuzzy already here
Goes in front of the amp
Ibanez WH10V3
Ibanez
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run fuzzy into Fender Vibrolux 6G11 for more modulated on top
Goes in front of the amp
Dunlop BFGO7 Billy Gibbons Octavio
Dunlop
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Maxon FF10 Fuzz Elements Fire
Maxon
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Dunlop FFM3 Jimi Hendrix Fuzz Face Mini
Dunlop
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Mythos Golden Fleece
Mythos
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Run fuzzy into Fender Vibrolux 6G11 for more modulated on top
Goes in front of the amp
Vox VFZ-1
Vox
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 stacks modulated on top of the fuzzy already here
Goes in front of the amp
Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz
Dunlop
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Fuzz Face Dunlop Jimi Hendrix Fuzz Face Mini
Fuzz Face
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 stacks modulated on top of the fuzzy already here
Goes in front of the amp
Cusack Music Tap-A-Fuzz
Cusack Music
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
The Vibrolux's sweet, classic Fender vibrato tone gives the Tap-A-Fuzz's full, experimental fuzz a genuinely vintage amp voice to push into.
Goes in front of the amp
Walrus Audio Fundamental Series Fuzz
Walrus Audio
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Fender Vibrolux 6G11 in front and the fuzzy tone leans further toward modulated
Goes in front of the amp
Zvex Fuzz Factory P025
Zvex
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Tru-Fi Super Fuzz Version 2
Tru Fi
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Fender Vibrolux 6G11 in front and the fuzzy tone leans further toward modulated
Goes in front of the amp
ZVEX Fuzz Factory Vertical Vexter
Zvex
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 layers modulated onto an already fuzzy signal
Goes in front of the amp
Tru-Fi Super Fuzz PBF Compact Version
Tru Fi
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Fender Vibrolux 6G11 in front and the fuzzy tone leans further toward modulated
Goes in front of the amp
Zvex Razzle Dazzle Fuzz Factory
Zvex
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Fender Vibrolux 6G11 stacks modulated on top of the fuzzy already here
Goes in front of the amp
SolidGoldFX If 6 Was 9 MKII
Solidgoldfx
22% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put Fender Vibrolux 6G11 in front and the fuzzy tone leans further toward modulated
Goes in front of the amp