Pedals that stack with the FoxGear EchoSex

Walrus Audio Lillian

Run the Lillian's subtle phase before the EchoSex, so the vintage echo repeats a modulated tone instead of a static one.

Catalinbread Galileo

Run Catalinbread Galileo after it and the warm edge settles into something more bright

EarthQuaker Devices Chelsea

Where this leans warm, EarthQuaker Devices Chelsea answers back bright

IdiotBox Effects End of Line

IdiotBox Effects End of Line's bright voice goes after FoxGear EchoSex in the signal chain — it's not there to compete with FoxGear EchoSex's own ambient character

MXR Distortion+

Put the EchoSex after the Distortion+ for warm, vintage echorec-style repeats trailing the gritty clipping.

Aguilar DB 925

Keep the EchoSex after the DB 925 — the transparent treble-bass boost stays clean and the vintage tape echo adds rich, ambient repeats behind it.

Subdecay Variac

Put FoxGear EchoSex after Subdecay Variac in the signal chain, clear of Subdecay Variac's own gain stage

Ashdown James LoMenzo Mega Drive

FoxGear EchoSex's ambient voice goes after Ashdown James LoMenzo Mega Drive in the signal chain — it's not there to compete with Ashdown James LoMenzo Mega Drive's own harmonically rich character

Orange King-Comp

Keep Orange King-Comp's bright voice out front: FoxGear EchoSex goes after Orange King-Comp in the signal chain so its ambient voice doesn't muddy it

Dallas Tuxedo 1959

Keep Dallas Tuxedo 1959's bright voice out front: FoxGear EchoSex goes after Dallas Tuxedo 1959 in the signal chain so its ambient voice doesn't muddy it

Jackson Audio Prism

Keep the EchoSex after the Prism — the complex, touring-grade drive stays defined and the vintage tape echo adds rich, ambient repeats behind it.

EarthQuaker Devices Arrows

Put the EchoSex's warm, vintage echoes after the Arrows' subtle, sparkling boost so the repeats trail a brighter, more defined signal.

Keeley Compressor Plus

Keep the EchoSex after the Compressor Plus — the shimmer and pick-attack control stay intact and the vintage echo just repeats a controlled signal.

Behringer Centaur Overdrive

Run FoxGear EchoSex after Behringer Centaur Overdrive in the signal chain, clear of Behringer Centaur Overdrive's own gain stage

Dunlop FFM6 Band of Gypsys Fuzz Face

Put the EchoSex's warm, vintage echoes after the FFM6's biting germanium/silicon fuzz so the repeats trail an already-saturated tone.

Tone City Summer Orange

Keep Tone City Summer Orange's modulated voice out front: FoxGear EchoSex goes after Tone City Summer Orange in the signal chain so its ambient voice doesn't muddy it

Voodoo Lab Tremolo

FoxGear EchoSex's ambient voice goes after Voodoo Lab Tremolo in the signal chain — it's not there to compete with Voodoo Lab Tremolo's own bright character

Boss CE-5 Chorus Ensemble

FoxGear EchoSex's ambient voice goes after Boss CE-5 Chorus Ensemble in the signal chain — it's not there to compete with Boss CE-5 Chorus Ensemble's own analog warmth character

CALIFORNIA WUB Continuum EQ

EQ before the EchoSex and you're shaping what gets echoed — cut the mud before it repeats into a lush, ambient wash.

Boss RT-2

FoxGear EchoSex's ambient voice goes after Boss RT-2 in the signal chain — it's not there to compete with Boss RT-2's own modulated character

Electro-Harmonix Nano Pulsar

Keep FoxGear EchoSex after Electro-Harmonix Nano Pulsar in the signal chain, clear of Electro-Harmonix Nano Pulsar's own gain stage

Chaos Custom Shop Blender

FoxGear EchoSex's ambient voice goes after Chaos Custom Shop Blender in the signal chain — it's not there to compete with Chaos Custom Shop Blender's own modulated character

CNZ Audio GEQ-5

Keep CNZ Audio GEQ-5's bright voice out front: FoxGear EchoSex goes after CNZ Audio GEQ-5 in the signal chain so its ambient voice doesn't muddy it

JHS The Overdrive Preamp

Run FoxGear EchoSex after JHS The Overdrive Preamp in the signal chain, clear of JHS The Overdrive Preamp's own gain stage