Pedals that stack with the J. Rockett Clockwork Echo

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

J. Rockett Clockwork Echo's modulated voice goes after Beetronics Octahive Dual FS in the signal chain — it's not there to compete with Beetronics Octahive Dual FS's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Sola Sound Tone Bender MK1 in the signal chain, clear of Sola Sound Tone Bender MK1's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

J. Rockett Clockwork Echo's modulated voice goes after Ampeg F17-1 in the signal chain — it's not there to compete with Ampeg F17-1's own mid-forward character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Beetronics Octahive Custom Boomerang's octave voice out front: J. Rockett Clockwork Echo goes after Beetronics Octahive Custom Boomerang in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run J. Rockett Clockwork Echo after Demon FX Gladiator in the signal chain, clear of Demon FX Gladiator's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

J. Rockett Clockwork Echo's modulated voice goes after Beetronics Octahive Shop Hot Rod in the signal chain — it's not there to compete with Beetronics Octahive Shop Hot Rod's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep J. Rockett Clockwork Echo after Walrus Audio Ages Five-State Overdrive in the signal chain, clear of Walrus Audio Ages Five-State Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Beetronics Octahive Custom Cobogo in the signal chain, clear of Beetronics Octahive Custom Cobogo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Behringer Fuzz Bender in the signal chain, clear of Behringer Fuzz Bender's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Beetronics Octahive Shop Origami's octave voice out front: J. Rockett Clockwork Echo goes after Beetronics Octahive Shop Origami in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after MXR Slash Signature Talk Box in the signal chain, where it won't crowd MXR Slash Signature Talk Box

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep Keeley Angry 4-in-1 Distortion/Fuzz's high gain voice out front: J. Rockett Clockwork Echo goes after Keeley Angry 4-in-1 Distortion/Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Keeley Moon in the signal chain, clear of Keeley Moon's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep Ashdown MAS GZR-Pod's low gain voice out front: J. Rockett Clockwork Echo goes after Ashdown MAS GZR-Pod in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep Beetronics Octahive V2's fuzzy voice out front: J. Rockett Clockwork Echo goes after Beetronics Octahive V2 in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Keeley KO-Als Distortion in the signal chain, clear of Keeley KO-Als Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

J. Rockett Clockwork Echo's modulated voice goes after SolidGoldFX 76 MK II in the signal chain — it's not there to compete with SolidGoldFX 76 MK II's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

J. Rockett Clockwork Echo's modulated voice goes after Spaceman Spacerocket II in the signal chain — it's not there to compete with Spaceman Spacerocket II's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep One Control BJFe Series Rocket Fuzz's fuzzy voice out front: J. Rockett Clockwork Echo goes after One Control BJFe Series Rocket Fuzz in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain