Pedals that stack with the J. Rockett Clockwork Echo

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Catalinbread Galileo's bright balances out the dark tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Run Tech 21 SansAmp after it and the dark edge settles into something more bright

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after ZVEX Fuzz Factory in the signal chain, clear of ZVEX Fuzz Factory's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Mooer 008 in the signal chain, clear of Mooer 008's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Dunlop Zakk Wylde Wah in the signal chain, where it won't crowd Dunlop Zakk Wylde Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run J. Rockett Clockwork Echo after T-Rex Tremonti Phaser in the signal chain, where it won't crowd T-Rex Tremonti Phaser

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep J. Rockett Clockwork Echo after Suhr Rufus Reloaded in the signal chain, clear of Suhr Rufus Reloaded's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Roger Mayer Octavia Classic in the signal chain, where it won't crowd Roger Mayer Octavia Classic

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Walrus Audio Lillian after J. Rockett Clockwork Echo in the signal chain, where it won't crowd J. Rockett Clockwork Echo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put IdiotBox Effects End of Line after J. Rockett Clockwork Echo in the signal chain, where it won't crowd J. Rockett Clockwork Echo

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep Fulltone Ultimate Octave's octave voice out front: J. Rockett Clockwork Echo goes after Fulltone Ultimate Octave in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Xotic Robotalk 2 in the signal chain, where it won't crowd Xotic Robotalk 2

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Airis Effects -Nemesis Preamp in the signal chain, clear of Airis Effects -Nemesis Preamp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Run J. Rockett Clockwork Echo after Canvas Analog Devices The Raven Distortion in the signal chain, clear of Canvas Analog Devices The Raven Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Keep J. Rockett Clockwork Echo after Dr. Scientist Frazz Dazzler in the signal chain, clear of Dr. Scientist Frazz Dazzler's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Wampler Phenom Distortion in the signal chain, clear of Wampler Phenom Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep J. Rockett Clockwork Echo after Tech 21 Marty Friedman in the signal chain, clear of Tech 21 Marty Friedman's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Wren and Cuff Gold Comp in the signal chain, where it won't crowd Wren and Cuff Gold Comp

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Put J. Rockett Clockwork Echo after Morley 20/20 Britt Lightning Wah in the signal chain, where it won't crowd Morley 20/20 Britt Lightning Wah

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep Laney Ironheart Loudpedal's high gain voice out front: J. Rockett Clockwork Echo goes after Laney Ironheart Loudpedal in the signal chain so its modulated voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Maxon FF10 Fuzz Elements Fire in the signal chain, clear of Maxon FF10 Fuzz Elements Fire's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after JAM Pedals Fuzz Phrase Si Silicon Fuzz in the signal chain, clear of JAM Pedals Fuzz Phrase Si Silicon Fuzz's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

J. Rockett Clockwork Echo's modulated voice goes after SONICAKE Fazy Cream in the signal chain — it's not there to compete with SONICAKE Fazy Cream's own fuzzy character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)

Put J. Rockett Clockwork Echo after Warm Audio WarmBender Selectable 3 Circuit Fuzz in the signal chain, clear of Warm Audio WarmBender Selectable 3 Circuit Fuzz's own gain stage

Comes earlier in the signal chain