Amps that pair well with the Keeley Halo

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo in Hiwatt Hi-Gain 100W Head's effects loop, clear of Hiwatt Hi-Gain 100W Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Marshall JCM800 2203ZW's effects loop, clear of Marshall JCM800 2203ZW's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Two-Rock TS1 40/20W Combo's effects loop, clear of Two-Rock TS1 40/20W Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Mesa Boogie Split Back 2x12's effects loop, clear of Mesa Boogie Split Back 2x12's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo in Randall NB King 112 Nuno Bettencourt Signature 30W 1x12 Combo's effects loop, clear of Randall NB King 112 Nuno Bettencourt Signature 30W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Traynor YBA100 Tube Bass Head's effects loop, clear of Traynor YBA100 Tube Bass Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keeley Halo's ambient voice goes in Swart STR Tweed's effects loop — it's not there to compete with Swart STR Tweed's own lush character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo in Morgan AC20 Combo's effects loop, clear of Morgan AC20 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Bogner Ecstasy Mini 40-Watt Head's effects loop, clear of Bogner Ecstasy Mini 40-Watt Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Traynor YCV20 Custom Valve Combo's effects loop, clear of Traynor YCV20 Custom Valve Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Bludotone Custom Amp's effects loop, clear of Bludotone Custom Amp's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo in Marshall Jmp Super Lead 50w's effects loop, clear of Marshall Jmp Super Lead 50w's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Swart STR Tremolo's effects loop, clear of Swart STR Tremolo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Plush P1000 70's USA All-Tube Amp Head's effects loop, clear of Plush P1000 70's USA All-Tube Amp Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Hiwatt SA20H Custom 20W Studio Head's effects loop, clear of Hiwatt SA20H Custom 20W Studio Head's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Dumble Overdrive Reverb's effects loop, clear of Dumble Overdrive Reverb's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Fender '68 Custom Princeton Reverb 12W 1x10 Tube Guitar's effects loop, clear of Fender '68 Custom Princeton Reverb 12W 1x10 Tube Guitar's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Fender Artist Signature EC Twinolux's dynamic voice out front: Keeley Halo goes in Fender Artist Signature EC Twinolux's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Run Keeley Halo in Sunn 100s's effects loop, clear of Sunn 100s's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Swart Antares Master's effects loop, clear of Swart Antares Master's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Keeley Halo in Supro 1690T Coronado's effects loop, clear of Supro 1690T Coronado's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Laney Lionheart Foundry LF60-112 60W 1x12 Combo's effects loop, clear of Laney Lionheart Foundry LF60-112 60W 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Keeley Halo in Magnatone Super Fifty-Nine MkII 1x12 Combo's effects loop, clear of Magnatone Super Fifty-Nine MkII 1x12 Combo's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Swart Atomic Space Tone BV25's lush voice out front: Keeley Halo goes in Swart Atomic Space Tone BV25's effects loop so its ambient voice doesn't muddy it

Comes earlier in the signal chain