Pedals that stack with the Laney RB3 Richter Bass Amp
← everything about the Laney RB3 Richter Bass Amp
All 113 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Univox Super-Fuzz
Univox
46% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
The Richter's rehearsal-oriented bass EQ gives the Super Fuzz's raw octave-fuzz character a straightforward amp platform.
Goes in front of the amp
Electro-Harmonix Big Muff Pi
Electro-Harmonix
38% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
The Richter's rehearsal-oriented bass EQ gives the Big Muff's thick, creamy fuzz a straightforward amp platform.
Goes in front of the amp
Ashdown Geezer Butler Signature
Ashdown
35% matchclean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (high headroom → low gain)
The Geezer Butler's doom-voiced bass distortion pushes the Richter's rehearsal-oriented EQ into heavier territory.
Goes in front of the amp
Beetronics Swarm
Beetronics
34% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
Run mid-forward into Beetronics Swarm for more fuzzy on top
Goes in front of the amp
Electro-Harmonix Triangle Big Muff Pi
Electro-Harmonix
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Carl Martin Crunch Drive
Carl Martin
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Into a transparent tone, Laney RB3 Richter Bass Amp brings a pull toward mid-forward that's missing
Goes in front of the amp
Black Arts Toneworks LSTR Fuzz
Black Arts Toneworks
33% matchgain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → fuzzy)
The Richter's rehearsal-oriented bass EQ gives the LSTR's scooped, doom-voiced fuzz a straightforward platform.
Goes in front of the amp
JAM Pedals Red Muck
Jam Pedals
33% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Into the Richter's rehearsal-ready bass eq, Red Muck's scooped, big-muff-style fuzz adds real low-end sustain and grit.
Goes in front of the amp
Vox Valvenergy Silk Drive
Vox
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Electro-Harmonix Big Muff PI- Made
Electro-Harmonix
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Way Huge Swollen Pickle
Way Huge
30% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
The Richter's mid-forward EQ and DI keep the Swollen Pickle's woolly fuzz defined instead of collapsing into low-end mush.
Goes in front of the amp
Electro-Harmonix Little Big Muff Pi
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Electro-Harmonix Nano Big Muff Pi
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Laney RB3 Richter Bass Amp and it comes out closer to mid-forward
Goes in front of the amp
Electro-Harmonix Op-Amp Big Muff
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp pushes a scooped tone toward mid-forward
Goes in front of the amp
Electro-Harmonix Nano Metal Muff
Electro-Harmonix
29% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Way Huge Electronics Swollen Pickle MKII Jumbo Fuzz
Way Huge
28% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp's own mid-forward character is the real reason this is worth trying
Goes in front of the amp
MXR EVH90 Phase 90
MXR
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Laney RB3 Richter Bass Amp and it comes out closer to mid-forward
Goes in front of the amp
MXR Booster
MXR
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (transparent → mid-forward)
Laney RB3 Richter Bass Amp leans this transparent tone toward mid-forward, which it doesn't make on its own
Goes in front of the amp
Way Huge Smalls Swollen Pickle Fuzz
Dunlop
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Laney RB3 Richter Bass Amp and it comes out closer to mid-forward
Goes in front of the amp
J. Rockett Blue Note Select
J Rockett
27% matchpushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)
Laney RB3 Richter Bass Amp pushes a edge of breakup tone toward mid-forward
Goes in front of the amp
MXR Fullbore Metal
MXR
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp pushes a scooped tone toward mid-forward
Goes in front of the amp
Beetronics Tuna Fuzz
Beetronics
27% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Laney RB3 Richter Bass Amp takes that scooped character and pushes it toward mid-forward
Goes in front of the amp
Aria Lil' RAT Distortion
Aria
26% matchpushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (crunchy → mid-forward)
Stack Laney RB3 Richter Bass Amp on top and a crunchy tone tightens toward mid-forward
Goes in front of the amp
smallsound/bigsound Buzzz
smallsound/bigsound
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (scooped → mid-forward)
Feed a scooped signal into Laney RB3 Richter Bass Amp and it comes out closer to mid-forward
Goes in front of the amp