Pedals that stack with the Marshall Studio JTM ST20C MkII 20W 1x12 Combo

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo's smooth balances out the bright tone

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

ProCo RAT 2 pushes a edge of breakup tone toward low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → mid-forward)

Browne Amplification Gritador takes that edge of breakup character and pushes it toward mid-forward

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → clean boost)

Analog Man King of Tone pushes a edge of breakup tone toward clean boost

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

What Marshall Studio JTM ST20C MkII 20W 1x12 Combo brings here leans toward edge of breakup — that's worth building a pairing around

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans smooth right where the bright tone needs it

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans this transparent tone toward low gain, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Run Marshall Studio JTM ST20C MkII 20W 1x12 Combo after it and the bright edge settles into something more smooth

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo's smooth balances out the bright tone

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans this transparent tone toward low gain, which it doesn't make on its own

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Where this leans bright, Marshall Studio JTM ST20C MkII 20W 1x12 Combo answers back smooth

Goes in front of the amp

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans toward edge of breakup, and that's a real, usable character to pair with

Goes in front of the amp

What Marshall Studio JTM ST20C MkII 20W 1x12 Combo brings here leans toward edge of breakup — that's worth building a pairing around

Goes in front of the amp

What Marshall Studio JTM ST20C MkII 20W 1x12 Combo brings here leans toward edge of breakup — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans this transparent tone toward low gain, which it doesn't make on its own

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → low gain)

Into a transparent tone, Marshall Studio JTM ST20C MkII 20W 1x12 Combo brings a pull toward low gain that's missing

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Where this leans bright, Marshall Studio JTM ST20C MkII 20W 1x12 Combo answers back smooth

Goes in front of the amp

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans toward edge of breakup, and that's a real, usable character to pair with

Goes in front of the amp

What Marshall Studio JTM ST20C MkII 20W 1x12 Combo brings here leans toward edge of breakup — that's worth building a pairing around

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo leans toward edge of breakup, and that's a real, usable character to pair with

Goes in front of the amp

What Marshall Studio JTM ST20C MkII 20W 1x12 Combo brings here leans toward edge of breakup — that's worth building a pairing around

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo takes that edge of breakup character and pushes it toward low gain

Goes in front of the amp

pushes an amp at the edge of breakupPushes an amp already sitting at the edge of breakup over the line. (edge of breakup → low gain)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo takes that edge of breakup character and pushes it toward low gain

Goes in front of the amp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Marshall Studio JTM ST20C MkII 20W 1x12 Combo's smooth balances out the bright tone

Goes in front of the amp