Pedals that stack with the Orange King-Comp

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

King-Comp's bright, chiming compression ahead of the PackRat evens out attack before the pedal's own dark, filtered distortion.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Orange King-Comp's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Donner Dark Mouse's dark character and Orange King-Comp's bright voice sit in the same lane rather than fighting each other

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Run the King-Comp's chiming, treble-forward compression ahead of the Tone Sanitizer for even picking before the preamp boost reacts to your dynamics.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Orange King-Comp's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Fuzzrocious Dark Driving's dark character and Orange King-Comp's bright voice sit in the same lane rather than fighting each other

Comes later in the signal chain

Beetronics Overhive leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Orange King-Comp's own bright character is the real reason this is worth trying

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Orange King-Comp leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)

Where this leans bright, Boss OD-1 Overdrive answers back smooth

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Origin Effects DCX Boost Black Edition's dark character and Orange King-Comp's bright voice sit in the same lane rather than fighting each other

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → glassy)

Orange King-Comp leans toward bright, and that's a real, usable character to pair with

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep T-Rex Junior Roomate after Orange King-Comp in the signal chain, where it won't crowd Orange King-Comp — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put Alexander Pedals Now We Are Ghosts Reverb after Orange King-Comp in the signal chain, where it won't crowd Orange King-Comp — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain