Pedals that stack with the Paul Cochrane Timmy

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Run Paul Cochrane Timmy after it and the dark edge settles into something more bright

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Paul Cochrane Timmy's bright balances out the warm tone

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Paul Cochrane Timmy's bright balances out the warm tone

Comes earlier in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Keep the Timmy's transparent, treble-cutting drive ahead of SpaceXpander so the spring-voiced reverb trails a settled, EQ'd gain stage. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Paul Cochrane Timmy's bright balances out the warm tone

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Paul Cochrane Timmy answers back bright

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Paul Cochrane Timmy layers clean boost onto an already fuzzy signal

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Put Paul Cochrane Timmy in front and the fuzzy tone leans further toward clean boost

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Put Paul Cochrane Timmy in front and the fuzzy tone leans further toward clean boost

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Where this leans dark, Paul Cochrane Timmy answers back bright

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Paul Cochrane Timmy answers back bright

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put the Ghosts Reverb after the Timmy — the transparent drive stays articulate while the reverb's gated swells do their own ambient thing behind it. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Paul Cochrane Timmy answers back bright

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

What Paul Cochrane Timmy brings here leans toward transparent — that's worth building a pairing around

Comes later in the signal chain

gain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)

Run fuzzy into Paul Cochrane Timmy for more clean boost on top

Comes later in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

The Fable's granular reverb textures trail the Timmy's transparent, treble-cutting overdrive into ambient blur. — goes in the amp's FX loop (or last, into a clean amp)

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Where this leans warm, Paul Cochrane Timmy answers back bright

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (dark → bright)

Paul Cochrane Timmy's bright balances out the dark tone

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

Paul Cochrane Timmy leans bright right where the warm tone needs it

Comes later in the signal chain

Paul Cochrane Timmy's own transparent character is the real reason this is worth trying

Comes later in the signal chain

What Paul Cochrane Timmy brings here leans toward transparent — that's worth building a pairing around

Paul Cochrane Timmy's own transparent character is the real reason this is worth trying

Comes later in the signal chain

Paul Cochrane Timmy leans toward transparent, and that's a real, usable character to pair with

Comes later in the signal chain

Paul Cochrane Timmy's own transparent character is the real reason this is worth trying