Amps that pair well with the ProCo RAT 2

Into the Classic Reverb's own pedal-platform clean, the RAT's dark, cutting distortion adds real, sharp gain rather than more headroom.

Comes later in the signal chain

Into the Vintage Deluxe's glassy, sag-driven touch response, the RAT's dark, cutting distortion pushes harder than the amp's natural breakup alone.

Comes later in the signal chain

The RAT's dark, cutting distortion is a sharper edge than the Blackjack's own touch-responsive breakup offers on its own.

Comes later in the signal chain

Push the Subway D-800's bright, cutting preamp with the RAT's low-gain drive for aggressive, stage-ready bass grit.

Comes later in the signal chain

The RAT's dark, cutting distortion is a sharper edge than the TS1's own smooth, rich pedal-platform headroom offers on its own.

Comes later in the signal chain

The RAT's bright, cutting drive gives the RB2's clean bass tone real grit without losing low-end presence.

Comes later in the signal chain

Push the Cub V's chimey British headroom with the RAT 2's bright, cutting distortion and the two stack into real dirt.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Push the Studio 10's British, midrange-forward tone with the RAT 2's bright, cutting distortion and the two stack into real dirt.

Comes later in the signal chain

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)

Bruno Cowtipper 45 leans into a clean amp's front end, precisely the platform ProCo RAT 2 wants

Comes later in the signal chain

Stack ProCo RAT 2 on top and a edge of breakup tone tightens toward low gain

Comes later in the signal chain

The Silver Sterling 150W's smooth, clean-platform headroom gives the RAT's dark, cutting distortion somewhere focused to land.

Comes later in the signal chain

Into the YBA100's tube-driven bass headroom, the RAT's dark, cutting distortion adds a sharper edge than the amp gets on its own.

Comes later in the signal chain

The RAT's dark, cutting distortion is a sharper edge than the Classic Reverb Signature's own smooth, blues-voiced headroom offers on its own.

Comes later in the signal chain

Push the Rumble 25's reliable, rehearsal-ready clean tone with the RAT 2's bright, cutting distortion and it opens up into real dirt.

Comes later in the signal chain

Into the Silver Sterling's boutique clean-platform headroom, the RAT's cutting distortion gets real amplification instead of choking on limited gain.

Comes later in the signal chain

Run ProCo RAT 2 into that high headroom platform and it finally leans toward low gain

Comes later in the signal chain

The Silver Sterling's own harmonic, touring-grade headroom gives the RAT's dark, cutting distortion real definition to bite into.

Comes later in the signal chain

The RAT's dark, cutting distortion is a sharper edge than the Bloomfield Drive's own smooth, fusion-voiced headroom offers on its own.

Comes later in the signal chain

The RAT's cutting distortion pushes the YCV20's chiming class-A breakup into rawer territory without losing the amp's British character.

Comes later in the signal chain

Push the Rambler's thick, jazz-voiced midrange with the RAT 2's bright, cutting distortion and the two stack into real dirt.

Comes later in the signal chain

A RAT 2 in front of the FBS-700 adds low-gain, cutting distortion the bass head's own clean headroom doesn't otherwise offer.

Comes later in the signal chain

Stack the RAT ahead of the 460 and its cutting drive pushes the amp's stereo vibrato into thicker, grittier territory.

Comes later in the signal chain

ProCo RAT 2's own voicing points at a clean amp's front end, and Hughes & Kettner Ampman/Clas delivers it

Comes later in the signal chain

The RAT's dark, cutting distortion pushes the MiniMAX 600's own noisy, gigging-ready bass gain into sharper territory.

Comes later in the signal chain