Pedals that stack with the ZVEX Fuzz Factory
← everything about the ZVEX Fuzz Factory
All 145 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
JHS Tidewater Tremolo
JHS Pedals
34% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Keep JHS Tidewater Tremolo after ZVEX Fuzz Factory in the signal chain, clear of ZVEX Fuzz Factory's own gain stage
Comes later in the signal chain
MXR Micro Amp
MXR
31% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
The Micro Amp's simple, transparent clean boost pushes the Fuzz Factory's germanium gating harder for more gate/noise character.
Comes earlier in the signal chain
Ashdown Triple Shot
Ashdown
31% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Fuzz Factory's unpredictable germanium gating pushes hard against the Triple Shot's driven midrange overdrive.
Comes earlier in the signal chain
Walrus Audio EB-10 Black Edition
Walrus Audio
31% matchgain stackingStacks two gain stages for more saturation than either produces alone. (fuzzy → clean boost)
Run fuzzy into Walrus Audio EB-10 Black Edition for more clean boost on top
Comes earlier in the signal chain
Electronic Audio Experiments Surveyor V2.5
Electronic Audio Experiments
26% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Push the Surveyor's reliable, transformer-driven push with the Fuzz Factory's glitchy, gated germanium fuzz and it turns into something wonderfully unstable.
Comes earlier in the signal chain
Strymon El Capistan dTape Echo
pedal
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What ZVEX Fuzz Factory brings here leans toward fuzzy — that's worth building a pairing around — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
JAM Pedals Rattler V2
Jam Pedals
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run ZVEX Fuzz Factory after it and the bright edge settles into something more smooth
Comes earlier in the signal chain
Mooer 008
Mooer
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory leans smooth right where the bright tone needs it
Comes later in the signal chain
MXR Dyna Comp
MXR
25% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's smooth balances out the bright tone
Comes earlier in the signal chain
Electro-Harmonix Deluxe Memory Man
Electro-Harmonix
24% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Electro-Harmonix Deluxe Memory Man's modulated voice goes after ZVEX Fuzz Factory in the signal chain — it's not there to compete with ZVEX Fuzz Factory's own fuzzy character — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Ashdown Geezer Butler Signature
Ashdown
24% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Stack the Fuzz Factory into the Geezer Butler's doom-voiced drive for a glitchier, more unstable layer on top of the low-end grit.
Comes earlier in the signal chain
J. Rockett Clockwork Echo
J Rockett
23% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → modulated)
Put J. Rockett Clockwork Echo after ZVEX Fuzz Factory in the signal chain, clear of ZVEX Fuzz Factory's own gain stage — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Amptweaker AT Fatrock
Amptweaker
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Keep the Fuzz Factory's gated germanium fuzz ahead of the AT Fatrock so the bright, mid-forward EQ still shapes a clean signal before the gate chops it up.
Comes earlier in the signal chain
Shins Music Shin's Music Double Trouble
Shins Music
23% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What ZVEX Fuzz Factory brings here leans toward fuzzy — that's worth building a pairing around
Comes earlier in the signal chain
Wylde Audio Cry Baby Wah
Wylde Audio
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, ZVEX Fuzz Factory answers back smooth
Comes earlier in the signal chain
Orange Getaway Driver
Orange
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's smooth balances out the bright tone
Comes earlier in the signal chain
Walrus Audio Warhorn
Walrus Audio
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory leans smooth right where the bright tone needs it
Comes earlier in the signal chain
Walrus Audio Lillian
Walrus Audio
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
The Lillian's subtle analog phasing follows the Fuzz Factory's unpredictable germanium gating for textured movement.
Comes later in the signal chain
Seymour Duncan Paranormal
Seymour Duncan
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's smooth balances out the bright tone
Comes later in the signal chain
Acoustic NUX Optima Air NAI-5
Acoustic
22% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's own fuzzy character is the real reason this is worth trying
Comes later in the signal chain
Dunlop Zakk Wylde Wah
Dunlop
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Where this leans bright, ZVEX Fuzz Factory answers back smooth
Comes earlier in the signal chain
Dophix Medici
Dophix
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
What ZVEX Fuzz Factory brings here leans toward fuzzy — that's worth building a pairing around
MXR DL E MXR M 287
MXR
21% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
Run ZVEX Fuzz Factory after it and the bright edge settles into something more smooth
EarthQuaker Devices Dirt Transmitter V2
EarthQuaker Devices
20% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → smooth)
ZVEX Fuzz Factory's smooth balances out the bright tone
Comes earlier in the signal chain