Pedals that stack with the Greer Mizuki blue
← everything about the Greer Mizuki blue
All 124 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Laney Digbeth DB-Pre
Laney
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Acorn Amplifiers Solid State Preamp
Acorn Amplifiers
19% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes later in the signal chain
Electronic Audio Experiments Surveyor Instrument Voicing Preamp
Electronic Audio Experiments
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
MXR Custom Shop Joe Bonamassa CSP265 FET Driver
pedal
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes earlier in the signal chain
Dawner Prince Boonar
Dawner Prince
18% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.
The Mizuki's warm, musical blues overdrive trails into the Boonar's vintage studio delay with a saturated signal to echo. — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
Homebrew Electronics HBE Detox EQ Paul Gilbert signature
Homebrew
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Tru-Fi Rangemaster Fuzz
Tru Fi
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
Suhr Shiba Mini Overdrive
Suhr
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes earlier in the signal chain
Ashdown Pro-FX Two-Band Boost
Ashdown
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Comes earlier in the signal chain
IdiotBox Effects End of Line
Idiotbox Effects
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
Boss BP-1w
Boss
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes later in the signal chain
JHS Ross Distortion
JHS Pedals
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Tech 21 DP-3X Dug Pinnick Signature Bass Distortion
Tech 21
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it
Boss DS-1X
Boss
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Hornby Skewes Treble Booster
pedal
18% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes earlier in the signal chain
Sonicake Factory Acoustic Preamp
Sonicake
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm
Comes later in the signal chain
TC Electronic Hall of Fame 2
TC Electronic
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
ThorpyFX Wopr
ThorpyFX
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Comes earlier in the signal chain
Hotone A Station
Hotone
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
Markbass MB Instrument PRE
Markbass
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
MXR Prime Distortion
MXR
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Where this leans bright, Greer Mizuki blue answers back warm
Aguilar OBP-2TK
Aguilar
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue's warm balances out the bright tone
Comes later in the signal chain
Chase Bliss Automatone CXM 1978
Chase Bliss Audio
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Greer Mizuki blue leans warm right where the bright tone needs it — goes in the amp's FX loop (or last, into a clean amp)
Comes later in the signal chain
MXR M69P Prime Distortion
MXR
17% matchfills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (bright → warm)
Run Greer Mizuki blue after it and the bright edge settles into something more warm