Pedals that stack with the JAM Pedals Delay-Llama

fills a frequency gapFills in a frequency range the other side doesn't cover, instead of piling more onto what's already there. (warm → bright)

A RAT 2 doesn't stack cleanly with Delay-Llama in the usual gain sense — the pedal's own analog delay repeats sit after the RAT's bright, cutting distortion instead.

Comes earlier in the signal chain

The DCX's subtle treble boost pushes more signal into the Delay-Llama's analog repeats without changing their warm character.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Lillian's subtle analog phase adds motion to Delay-Llama's warm, organic repeats without touching the gain stage.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Voodoo Lab Tremolo's optical pulse colors Delay-Llama's warm analog repeats after the fact rather than stacking any gain.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Delay-Llama after the Trym — the aggressive, cutting tremolo pulse stays sharp and the analog delay just adds warmth behind it.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Keeley Super Phat Mod in the signal chain, clear of Keeley Super Phat Mod's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Boss OD-1 Overdrive in the signal chain, clear of Boss OD-1 Overdrive's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JAM Pedals Delay-Llama after Aria Lil' RAT Distortion in the signal chain, clear of Aria Lil' RAT Distortion's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes after BLAXX EQ5B 5-Band Equalizer in the signal chain — it's not there to compete with BLAXX EQ5B 5-Band Equalizer's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep the Delay-Llama's warm analog echoes trailing after the Equilibrium's tremolo pulse, not before, or the delay repeats a moving signal.

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Creation Audio Labs Funkulator's bright voice out front: JAM Pedals Delay-Llama goes after Creation Audio Labs Funkulator in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes after Catalinbread Naga-Viper in the signal chain — it's not there to compete with Catalinbread Naga-Viper's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes after ENO EQ7 7-band EQ in the signal chain — it's not there to compete with ENO EQ7 7-band EQ's own octave character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after FTelettronica Six Band Equalizer in the signal chain, where it won't crowd FTelettronica Six Band Equalizer

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JAM Pedals Delay-Llama after Revv Tilt in the signal chain, clear of Revv Tilt's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep Old Blood Noise Endeavors 3 Band EQ's bright voice out front: JAM Pedals Delay-Llama goes after Old Blood Noise Endeavors 3 Band EQ in the signal chain so its analog warmth voice doesn't muddy it

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes after Wampler Plexi-Drive Deluxe in the signal chain — it's not there to compete with Wampler Plexi-Drive Deluxe's own bright character

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Vox V846 Vintage in the signal chain, where it won't crowd Vox V846 Vintage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Put JAM Pedals Delay-Llama after EarthQuaker Devices Arrows V2 in the signal chain, clear of EarthQuaker Devices Arrows V2's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Spaceman Artemis Modulated Filter in the signal chain, where it won't crowd Spaceman Artemis Modulated Filter

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Electronic Audio Experiments The Bard in the signal chain, clear of Electronic Audio Experiments The Bard's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Catalinbread RAH Mountain Edition in the signal chain, clear of Catalinbread RAH Mountain Edition's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

Keep JAM Pedals Delay-Llama after Mad Professor Mad-Eou in the signal chain, clear of Mad Professor Mad-Eou's own gain stage

Comes earlier in the signal chain

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor.

JAM Pedals Delay-Llama's analog warmth voice goes after Effects Bakery Maritozzo Bass EQ in the signal chain — it's not there to compete with Effects Bakery Maritozzo Bass EQ's own mid-forward character

Comes earlier in the signal chain