Pedals that stack with the Mesa Boogie Mark IIC+ Combo

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Push the Mark IIC+'s singing high-gain lead voice with the Screamer's mid-forward boost and it gets even more focused.

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Into a low gain tone, Mesa Boogie Mark IIC+ Combo brings a pull toward high gain that's missing

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Klon Centaur on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into the Mark IIC+'s glassy clean channel, the KTR's transparent boost pushes it into singing, midrange-forward breakup.

Goes in front of the amp

pushes an already-dirty tonePushes an already-dirty tone harder and tightens it up. (high gain → mid-forward)

Stack Browne Amplification Gritador on top and a high gain tone tightens toward mid-forward

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Mesa Boogie Mark IIC+ Combo brings a pull toward high gain that's missing

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

The Voyager's selectable germanium and silicon clipping gives you two different ways to push the Mark IIC+'s own singing lead channel.

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → shimmer)

Electro-Harmonix Deluxe Electric Mistress's shimmer voice goes after Mesa Boogie Mark IIC+ Combo in the signal chain — it's not there to compete with Mesa Boogie Mark IIC+ Combo's own high gain character

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Mesa Boogie Mark IIC+ Combo brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Mesa Boogie Mark IIC+ Combo leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Mesa Boogie Mark IIC+ Combo for more high gain on top

Goes in front of the amp

shapes the dynamic responseShapes how the tone responds to picking dynamics rather than its frequency or gain.

The Cory Wong's optical funk compression evens out the pick attack before it ever reaches the Mark IIC+'s own singing, high-gain voice.

Goes in front of the amp

Mesa Boogie Mark IIC+ Combo's own high gain character is the real reason this is worth trying

Goes in front of the amp

Mesa Boogie Mark IIC+ Combo stacks high gain on top of the mid-forward already here

Goes in front of the amp

Put Mesa Boogie Mark IIC+ Combo in front and the mid-forward tone leans further toward high gain

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Run mid-forward into Mesa Boogie Mark IIC+ Combo for more high gain on top

Goes in front of the amp

Mesa Boogie Mark IIC+ Combo stacks high gain on top of the mid-forward already here

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (low gain → high gain)

Mesa Boogie Mark IIC+ Combo leans this low gain tone toward high gain, which it doesn't make on its own

Goes in front of the amp

Run mid-forward into Mesa Boogie Mark IIC+ Combo for more high gain on top

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Mesa Boogie Mark IIC+ Combo leans this transparent tone toward high gain, which it doesn't make on its own

Goes in front of the amp

gain stackingStacks two gain stages for more saturation than either produces alone. (mid-forward → high gain)

Mesa Boogie Mark IIC+ Combo stacks high gain on top of the mid-forward already here

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Mesa Boogie Mark IIC+ Combo brings a pull toward high gain that's missing

Goes in front of the amp

clean platform takes the driveA clean, high-headroom stage takes on dirt it can't generate by itself. (transparent → high gain)

Into a transparent tone, Mesa Boogie Mark IIC+ Combo brings a pull toward high gain that's missing

Goes in front of the amp

sits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (high gain → modulated)

Keep the Borderland in the Mark IIC+'s loop for lush, boutique ambient wash behind that singing, glassy high-gain lead tone. — goes in the amp's FX loop (or last, into a clean amp)

Sits in the amp's effects loop